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Salome (1922)

6.6
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Ratings: 6.6/10 from 412 users  
Reviews: 18 user | 3 critic

Salome, the daughter of Herodias, seduces her step-father/uncle Herod, governor of Judea, with a salacious dance. In return, he promises her the head of the prophet John the Baptist.

Directors:

, (uncredited)

Writers:

(play), (scenario)
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Title: Salome (1922)

Salome (1922) on IMDb 6.6/10

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Cast

Cast overview:
Mitchell Lewis ...
...
Rose Dione ...
Earl Schenck ...
Arthur Jasmine ...
Nigel De Brulier ...
Frederick Peters ...
Naaman, the Executioner
...
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Storyline

Salome, the daughter of Herodias, seduces her step-father/uncle Herod, governor of Judea, with a salacious dance. In return, he promises her the head of the prophet John the Baptist. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Plot Keywords:

dance | prophet | judea | king | king herod | See more »


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Details

Country:

Release Date:

15 February 1923 (USA)  »

Also Known As:

Salomé  »

Box Office

Budget:

$350,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

In addition to producing, writing, and actually directing, Nazimova also financed the film herself. Its total failure (both domestic and overseas) left her broke. See more »

Quotes

Salome, stepdaughter of Herod: The mystery of Love is greater than the mystery of Death!
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Connections

Featured in The Casting Couch (1995) See more »

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User Reviews

very unusual but is it art?
1 June 2001 | by (United Kingdom) – See all my reviews

Having read the reviews of this on the Silents Majority website and in Time Out film guide I was curious. It looked good from stills and the play is one of my favourites ... the film is extremely odd. Nazimova, who looks like Gloria Swanson only more over the top, is a seductive and teasing Salome, dancing the seven veils with style, driving Herod mad, taunting the Baptist (a gaunt stick of a man who is quite disturbing to look at). The guards are all extremely camp and OTT and the whole film has that feeling of the extremes of twenties decadence. One feels Wilde would have approved. Not a patch on the opera but a decent stab at a play which is full of excess. It just wouldn't work with sound. It has to be images, and this is full of them.


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