In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Wisbourg, Germany based estate agent Knock dispatches his associate, Hutter, to Count Orlok's castle in Transylvania as the Count wants to purchase an isolated house in Wisbourg. They plan on selling him the one across the way from Hutter's own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter's trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter does manage to sell the Count the house, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in the daytime when the Count is unusually asleep. Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisbourg, causing death along his way, ... Written by
Ruth Landshoff, the actress who played the hero's sister, once described a scene in which she fled the vampire, running along a beach. That scene is not in any version of the film, nor in the original script. See more »
When Hutter is writing his letter to Ellen in Count Orlok's castle, the paper that he is meant to be writing on is clearly blank throughout the scene. See more »
Nosferatu. Does this word not sound like the midnight call of the Bird of Death? Do not utter it, or the images of life will fade - into pale shadows and ghostly dreams will rise from your heart and feed your Blood.
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As I'm sure it is the case for many cinema fans, my respect and admiration towards this production widely excels the enjoyment I had while watching it. "Nosferatu" is a milestone from every possible viewpoint and it's one of those very few movies I think everybody should view at least once (although it actually requires repeated viewings ) It is the very first version of Bram Stoker's legendary vampire tale and easily the most copied film in the history of cinema. I'm sure everyone is familiar with the story of young estate agent Jonathan Harker traveling to Transylvania where he acquaintances the eccentric count who feeds on blood and controls the ones he has bitten, but THIS is the original version. Shot by F.W. Murnau (who also made the equally essential titles "Faust" and "Der Januskopf") and made unforgettable by Max Schreck in his performance as the Count. And, even though this film is over 80 years old, Schreck's image is still as nightmarish as it can be. No visual or make-up effect could ever surpass the simple appearance of Max Schreck! The fact that this film is still very powerful therefore almost entirely depends on his unworldly character. "Nosferatu" is beautiful poetry, difficult to watch at times, but very rewarding. The sexual undertones as well as the shock-aspects have surely dated by now, but they're still present, and as I mentioned before they only increase my respect for Murnau and his crew. A definite must see, just make sure you're in the right mood.
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