| Photos (See all 12 | slideshow) |
| Allakariallak | ... | Nanook (as Nanook) | |
| Nyla | ... | Herself - Nanook's Wife, the Smiling One | |
| Allee | ... | Himself - Nanook's Son | |
| Cunayou | ... | Herself - Nanook's Wife | |
| Allegoo | ... | Himself - Nanook's Son | |
| Camock | ... | Himself - Nanook's Cat | |
| rest of cast listed alphabetically: | |||
| Berry Kroeger | ... | Narrator (1939 re-release) (uncredited) | |
Directed by | |||
| Robert J. Flaherty | |||
Writing credits(in alphabetical order) | ||
| Frances H. Flaherty | idea (uncredited) | |
| Robert J. Flaherty | uncredited | |
Produced by | |||
| Robert J. Flaherty | .... | producer | |
| John Révillon | .... | executive producer (uncredited) | |
Original Music by | |||
| Rudolf Schramm | (1947) | ||
| Stanley Silverman | (1976) | ||
Cinematography by | |||
| Robert J. Flaherty | (uncredited) | ||
Film Editing by | |||
| Herbert Edwards | (1947 version) | ||
| Robert J. Flaherty | (uncredited) | ||
| Charles Gelb | (uncredited) | ||
Sound Department | |||
| Blachley | .... | sound (1976 version) | |
Music Department | |||
| Miriam Arsham | .... | music editor (1976 version) | |
| Richard Fitz | .... | assisting artist: percussion (1976 version) | |
| Ida Kafavian | .... | violin (1976 version) | |
| Buell Neidlinger | .... | assisting artist: double bass (1976 version) | |
| Daniel Moses Schreier | .... | assistant: Mr. Silverman's (1976 version) | |
| Peter Serkin | .... | piano (1976 version) | |
| Fred Sherry | .... | musician: cello (1976 version) | |
| Richard Stoltzman | .... | clarinet (1976 version) | |
| Tashi | .... | played by (1976 version) | |
Other crew | |||
| David H. Shepard | .... | film restoration (1976 version) | |
| Willard Van Dyke | .... | supervisor: International Film Seminars (1976 version) | |
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| The Snow Walker | Kabloonak | Commune | Inupiatun: In the Manner of the Eskimo | Map of the Human Heart |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
For a film as old as Nanook of the North, it might be expected that some cultural imperialism would seep into such an anthropological venture. Amazingly, this is hardly the case. The lives of a band of hardy eskimos are shown with little added or taken away. We see them fighting for food, playing, building shelters, and cowering in the dark winter. All of these elements are shown without undue sentimentality. We are amazed at the lives we see because they are so different from our own, yet we realize just how human they are when they smile at us and engage us. The sequence where the igloo is built is truly remarkable, as are many of the hunting expeditions. However, just when we start to think that the life we are seeing may be perfect in its purity, we are shown the other side of eskimo life. The bleak ending of the film forces the viewer to come to terms with his romanticized view of eskimos that the first part of the film creates. A great film experience.