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Nanook of the North (1922)

Not Rated | | Documentary | 11 June 1922 (USA)
In this silent predecessor to the modern documentary, film-maker Robert J. Flaherty spends one year following the lives of Nanook and his family, Inuits living in the Arctic Circle.

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Cast

Complete credited cast:
Allakariallak ...
Nanook (as Nanook)
Nyla ...
Herself - Nanook's Wife - the Smiling One
Allee ...
Himself - Nanook's Son
Cunayou ...
Herself - Nanook's Wife
Allegoo ...
Himself - Nanook's Son
Camock ...
Himself - Nanook's Cat
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Storyline

Documents one year in the life of Nanook, an Eskimo (Inuit), and his family. Describes the trading, hunting, fishing and migrations of a group barely touched by industrial technology. Nanook of the North was widely shown and praised as the first full-length, anthropological documentary in cinematographic history. Written by <xaviermartin@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

winter | inuit | canada | arctic | walrus | See All (21) »

Taglines:

A story of life and love in the actual Arctic. See more »

Genres:

Documentary

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

11 June 1922 (USA)  »

Also Known As:

Nanuk der Eskimo  »

Filming Locations:

 »

Box Office

Budget:

$53,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Rated #6 in 2002 by International Documentary Assn. on its list of Top 20 Documentaries of all time. See more »

Connections

Referenced in Nanook Taxi (1977) See more »

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User Reviews

 
Terrific looking film, especially for 1922
2 January 2003 | by (somewhere in time) – See all my reviews

Robert J. Flaherty's `Nanook Of The North' may be the first film about man's relationship with nature. Flaherty helps establish man's successful adaptation to his environment by filming extraordinary hunting and fishing scenes consisting largely of medium shots. The few close-ups of the Inuit generally portray the successful hunters smiling as they eat their kill. Flaherty contrasts these moments with sequences communicating the Inuit's struggles with the natural world. Here, he uses long shots: Nanook and his family become tiny black specks barely visible in the large, white frame. In the foreground the viewer sees bitter gusts of wind ruling over the desolate landscape. Flaherty's technique is simple but very effective. Not only does he depict man as a mere part of his environment, but he emphasizes how powerless man may feel amid the cold indifference of nature. At the same time, the hunting and feast sequences establish Nanook as a smart, tough survivor, a surprising victor over nature's harsh elements. In this way, Flaherty makes Nanook into a heroic figure.

Rating: 9.5


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