"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »
Documents one year in the life of Nanook, an Eskimo (Inuit), and his family. Describes the trading, hunting, fishing and migrations of a group barely touched by industrial technology. Nanook of the North was widely shown and praised as the first full-length, anthropological documentary in cinematographic history. Written by
For a film as old as Nanook of the North, it might be expected that some cultural imperialism would seep into such an anthropological venture. Amazingly, this is hardly the case. The lives of a band of hardy eskimos are shown with little added or taken away. We see them fighting for food, playing, building shelters, and cowering in the dark winter. All of these elements are shown without undue sentimentality. We are amazed at the lives we see because they are so different from our own, yet we realize just how human they are when they smile at us and engage us. The sequence where the igloo is built is truly remarkable, as are many of the hunting expeditions. However, just when we start to think that the life we are seeing may be perfect in its purity, we are shown the other side of eskimo life. The bleak ending of the film forces the viewer to come to terms with his romanticized view of eskimos that the first part of the film creates. A great film experience.
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