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Lorna is a young noble girl who meets a young farmer boy named John Ridd. They immediately become infatuated with each other, but Lorna is kidnapped by the Doones, a group of bandits, and she is taken back to their village and raised as one of them. She is protected from the others by Sir Ensor Doone, the group's leader, because he has grown attached to her. After many years he becomes very ill and an upstart named Carver decides that he wants Lorna as his wife. Sir Ensor is powerless to protect her, so she must contact John to rescue her. Written by
Following the successful telecasts of Othello (1922) and _'The Eagle (1925)_, New York City's WJZ (Channel 7), began a weekly series of Sunday evening silent film feature presentations, shown more or less in their entirety, which aired intermittently for the next twelve months. This feature was initially broadcast Sunday 2 January 1949, and, like the rest of the series, aired simultaneously on sister stations WFIL (Channel 6) (Philadelphia) and freshly launched WAAM (Channel 13) (Baltimore), an innovation at the time; the following week's selection would be Young April (1926), the final entry in this particular series. See more »
Lyrics by Arthur A. Penn, music by Frederick W. Vanderpool, c. 1922
'suggested by Maurice Tourneur's picturization of "Lorna Doone" produced at the studios of Thos. H. Ince Corporation with Madge Bellamy in the role of "Lorna Doone" A First National Attraction' See more »
I've seen 4 versions of this story and this silent classic starring John Bowers and Madge Bellamy is by far the best, much more poignant than the modern A+E version!
The action is great, the romantic characters obtain your sympathy immediately, and the cinematography for a 1922 film is outstanding. This must have been a real epic in its day.
One chilling aspect of this film is the fact that when we first meet the adult John Bowers in his role as John the shepherd boy he is fighting for his life, trying to save himself from drowning in rough waters. Later we see him deliberately jumping over a waterfall into the same waters below. One wonders whether this film gave John Bowers the idea that drowning was the way to go, since he committed suicide by drowning. The character of Norman Maine in three versions of A Star Is Born is based on poor John Bowers. He was so handsome in this film, and quite a good actor. It is too bad that someone couldn't have reached out to him and given him some acting jobs once talkies came in; they might have saved his life.
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