John Ridd was just a boy when the villainous Carver Doone callously murdered his father. Now a young man, John has two driving passions: his thirst for revenge against the outlaw Doones, ... See full summary »
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, ... See full summary »
Lorna is a young noble girl who meets a young farmer boy named John Ridd. They immediately become infatuated with each other, but Lorna is kidnapped by the Doones, a group of bandits, and she is taken back to their village and raised as one of them. She is protected from the others by Sir Ensor Doone, the group's leader, because he has grown attached to her. After many years he becomes very ill and an upstart named Carver decides that he wants Lorna as his wife. Sir Ensor is powerless to protect her, so she must contact John to rescue her. Written by
lyric by Arthur A. Penn, music by Frederick W. Vanderpool, c. 1922
'suggested by Maurice Tourneur's picturization of "Lorna Doone" produced at the studios of Thos. H. Ince Corporation with Madge Bellamy in the role of "Lorna Doone" A First National Attraction' See more »
Sweet, charmingly old-fashioned story of star-crossed lovers...
With some good cinematography and a rather unsettling background score, LORNA DOONE is a movie my father always mentioned liking very much for story and content. He must have seen it when he was in his early thirties and often mentioned it as one of his favorite novels and movies.
It's the rather familiar yarn of two people kept apart by the class system who were teen-age lovers separated by fate and then reunited years later when the girl has been held hostage by pirates and reared as one of the Doone clan. The years pass and by chance, during a fateful incident in the rapids, the young man (JOHN BOWERS) drifts toward Lorna's territory. When he awakens, she's tending to him and thus their story begins again.
The title role is nicely played by MADGE BELLAMY who has a sweet, old-fashioned grace about her that makes her heroine appealing and vulnerable. She seldom goes into the silent film technique of acting, nor does Bowers, who does a splendid job as the stalwart hero.
In reading about the film, I discovered that the ruggedly handsome Bowers committed suicide by drowning fourteen years after making this film, when his stardom was on the wane with the advent of talkies. It's rumored that he was the man depicted in A STAR IS BORN, Norman Maine, who walks into the ocean toward the finish.
Summing up: Interesting tale, well told but almost too familiar for most of us who've seen variations of it or actual remakes of it over the years.
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