A historical view of witchcraft in seven parts and a variety of styles. First, there is a slide-show alternating inter-titles with drawings and paintings to illustrate the behavior of pagan... See full summary »
A young man of society wants to make an expedition to Africa, but his fiancée asks him for help about one of her fathers guests shortly before his planed departure. Her suspects about that ... See full summary »
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
A historical view of witchcraft in seven parts and a variety of styles. First, there is a slide-show alternating inter-titles with drawings and paintings to illustrate the behavior of pagan cultures in the Middle Ages regarding their vision of demons and witches. Then there is a dramatization of the situation of the witches in the Middle Ages, witchcraft and witch-hunts. Finally the film compares the behavior of hysteria of contemporary (1921) women with the behavior of the witches in the Middle Ages, concluding that they are very similar. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Maria, the weaver (one of the persecuted witches) was played by Maren Pedersen, whom Christensen allegedly discovered while she was selling flowers on a street corner. Pedersen claimed that she was the first Red Cross nurse in Denmark. During the shoot, Pedersen reportedly turned to Christensen and said, "The Devil is real. I have seen him sitting at my bedside." Christensen was so struck by this confession of modern demonic activity (or at least the belief in modern demonic activity) that he incorporated this anecdote into the film itself. See more »
The kleptomaniac and the jeweler enter through a door on the right-hand side of the room. In the next shot, they are standing on the left side on the room, and the objects on the shelf behind them have changed position. The shot in which they enter is flipped (look closely at the buttons on the actors' clothes). See more »
Poor little hysterical witch! In the middle ages you were in conflict with the church. Now it is with the law.
See more »
Imagine Tod Browning and Jean Cocteau making a film together and you might begin to get an idea of what you'll see in this film. It's rather disjointed in its storytelling but who cares? Where else can you see witches kissing the ass of Satan, boiling non-baptized babies, and giving birth to demons? Not to mention getting a full tour of the state-of-the-art in medieval torture devices! The film is really no more a documentary than "The Blair Witch Project" but certainly in the 1920s it must have been considered as such. Today, it makes for great Halloween viewing, giving us a chance to re-live the chilling legends that kept us afraid of the dark as children. The otherworldly glow of 1920s cinematography will retain each creepy image in your mind like musty cobwebs. A must-see for classic horror fans!
11 of 12 people found this review helpful.
Was this review helpful to you?