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Häxan: Witchcraft Through the Ages (1922)
"Häxan" (original title)

7.7
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A historical view of witchcraft in seven parts and a variety of styles. First, there is a slide-show alternating inter-titles with drawings and paintings to illustrate the behavior of pagan... See full summary »

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Title: Häxan: Witchcraft Through the Ages (1922)

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Cast

Cast overview, first billed only:
Maren Pedersen ...
Heksen / The Witch
Clara Pontoppidan ...
Nonne / Nun
Elith Pio ...
Heksedommer / Witch Judge (The Young Monk)
Oscar Stribolt ...
Graabroder / Doctor (The Fat Monk)
Tora Teje ...
En hysterisk kvinde / Modern Hysteric (The Kelptomaniac)
John Andersen ...
Chief Inquisitor (as Johs Andersen)
Benjamin Christensen ...
Djævlen / The Devil
Poul Reumert ...
Juveler / Jeweler
Karen Winther ...
Anna
Kate Fabian ...
Gammel jomfru / Old Maid
Else Vermehren ...
Nonne / Nun
Astrid Holm ...
Anna
Johannes Andersen ...
Heksedommer / Witch Judge
Gerda Madsen ...
Nonne / Nun
Aage Hertel ...
Heksedommer / Witch Judge
Edit

Storyline

A historical view of witchcraft in seven parts and a variety of styles. First, there is a slide-show alternating inter-titles with drawings and paintings to illustrate the behavior of pagan cultures in the Middle Ages regarding their vision of demons and witches. Then there is a dramatization of the situation of the witches in the Middle Ages, witchcraft and witch-hunts. Finally the film compares the behavior of hysteria of contemporary (1921) women with the behavior of the witches in the Middle Ages, concluding that they are very similar. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Benjamin Christensens stora film.


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

27 May 1929 (USA)  »

Also Known As:

Häxan: Witchcraft Through the Ages  »

Filming Locations:

 »

Box Office

Budget:

SEK 2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1968 re-release) | (DVD)

Sound Mix:

|

Color:

(Sepiatone)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The Swedish film censors required numerous cuts in the film, before authorizing its release. Among the censored scenes were the closeup of the finger being removed from the hanged man's hand, the trampling of the cross in the witch's sabbath scene, the shot of the oozing infant held over a cooking pot, a closeup of a woman's face while she is on a torture rack, closeups of several instruments of torture being employed, and a shot of a demon embracing a nude woman (all these shots have since been restored to the film). See more »

Goofs

The same witches fly past the screen several times. At certain points, the same witch appears on screen twice at the same time. See more »

Quotes

Title Card: Poor little hysterical witch! In the middle ages you were in conflict with the church. Now it is with the law.
See more »

Crazy Credits

Director Benjamin Christensen personally thanks his cinematographer and art director through the opening titles. See more »

Connections

Featured in God Damn Religion (2008) See more »

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User Reviews

A Visually Striking, Thought-Provoking Feature
28 February 2005 | by (Ohio) – See all my reviews

The striking visuals would in themselves be sufficient reason to watch "Häxan", but in addition it is a thought-provoking feature that combines dark humor, some occasional chilling moments, and perceptive commentary on human nature. It's an unusual package and an unusual feature, and there aren't many films quite like it.

Simply on the surface, the series of unusual visuals and believable recreations of bygone eras would make for interesting viewing. Benjamin Christensen added a strong dose of the macabre to practically every scene, even in some of the smaller details that are only noticeable upon repeat viewings. Some of it is fascinating, some of it unsettling, all of it interesting.

But there is much more to "Häxan" than a mere collection of grotesque images and vignettes. Towards the end, in particular, the commentary becomes quite pointed. It is quite easy for anyone - film-maker, writer, commentator - to criticize and condemn the beliefs and practices of the Middle Ages or of any other long past era. But it is far more of a challenge to, as Christensen has done here, point out the sometimes devastating parallels to one's own era. It is always such a comforting fiction to believe that we are so much more enlightened than past generations have been, and yet it is rarely if ever true.

Christensen aptly illustrates the point that the inability to deal with the odd, the eccentric, and the unusual in our fellow beings is a perennial failing of humanity. Each generation simply devises its own means of stigmatizing and punishing those who cannot conform. (Nor is our own generation markedly better than was Christensen's.) This feature can certainly be viewed (either in the original silent version, or in the 1960s version with some spoken narration) for entertainment value alone. But it is even more pertinent in its observations on human nature. It's an often unsettling movie, with some images that might be bit too uncomfortable for some viewers. But for all that, it's an unusual and worthwhile viewing experience.


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