It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
Part history lesson followed by re-enactments with actors, this film takes depicts the history of witchcraft from its earliest days through to the present day (in this case,1922 or thereabouts). The result is a documentary-like film that must be among the first to use re-enactments as a visual and narrative tool. From pagan worship to satanic rites to hysteria, the film takes you on a journey through the ages with highly effective visual sequences. Written by
Due to the type of emulsion of the film stock used, the blue in many of the actors' blue eyes did not register, giving their eyes a glazed, unnatural appearance. See more »
The kleptomaniac and the jeweler enter through a door on the right-hand side of the room. In the next shot, they are standing on the left side on the room, and the objects on the shelf behind them have changed position. The shot in which they enter is flipped (look closely at the buttons on the actors' clothes). See more »
Karna, can you perchance get me a love potion that has power over a pious man of the church?
Karna - the Witch:
Here, young maiden, take a potion of cat feces and dove hearts, boiled during the full moon. A drop of this in a man's drink will soften his heart at once.
Karna, can i have an even stronger potion?
Karna - the Witch:
If the maiden wishes to drive the man out of his wits for love... I have a potion boiled in May from a young and playful male sparrow. Hold your coins, maiden! First smell my ointment! This ointment is good,...
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This film gives us a thoughtful look at the horrifying potential of fear, ignorance and superstition. I have to say I admire the courage Benjamin Christensen showed in making this film which not only must have offended the sensibilities of the time for the obvious reasons but also because it dared to champion reason over superstition as a way of explaining things which we do not fully understand. This film resonates with its message that those who judged others unjust may not have been just themselves.
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