Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
"Count" Karanzim, a Don Juan is with his cousins in Monte Carlo, living from faked money and the money he gets from rich ladies, who are attracted by his charmes and his title or his militaristic and aristocratic behaviour. He tries to have success with Mrs Hughes, the wife of the new US ambassador. Written by
Stephan Eichenberg <firstname.lastname@example.org>
As the film's production costs skyrocketed, Universal Pictures attempted to use the situation to garner some publicity for it. The studio erected an electronic sign on a rooftop overlooking Broadway, across the street from its New York offices. The sign read "Universal Pictures and 'Erich von Stroheim' (v) will spend $XXX,XXX to entertain you with 'Foolish Wives.'" Each week the numbers of the production costs were updated on the electronic sign, telling how much more the picture had cost. In the end, the total cost of the film, as reported by Universal, was $1,103,736.38. Von Stroheim later claimed that the real cost was only around $700,000. See more »
When the Count seats Mrs. Hughes at the roulette table, she is wearing a different gown than the one in the rest of the scene. See more »
Three Russian aristocrats soak up the decadence of Monte Carlo, despite the fact they are down to their last franc. In order to support their lavish lifestyle, the three use the services of a counterfeiter, and use the notes at the casinos, hoping to exchange the bogus currency for a jackpot. Andrew Hughes, a US envoy, arrives at Monaco with his wife Helen, and the three decide to make pals with the visitors, hoping for financial assistance. One of the three Russians, Count Sergius Karamzin, plans to go further, with continuous advance towards Helen, while disappointing the Count's maid, who loves Sergius. Eventually, circumstances play their hand against the three aristocrats. Its obvious that Von Stroheim was trying to convey a message (with the foolishness of American women and the improper behaviors of the aristocrats), rather than tell a story, and the film really can bore modern audiences, like me, easily by doing that. Even the acting, which is great in later EvS like Greed and the Wedding March, is just run of the mill here. The film could have used improvements on various levels. Rating, 3.
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