Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
Peggy and her friend Millie are strolling down Broadway while Jimmy and Mac are trolling Broadway, and the four get together. Jimmy and Peggy get together in many romantic ways and Peggy ... See full summary »
"Count" Karanzim, a Don Juan is with his cousins in Monte Carlo, living from faked money and the money he gets from rich ladies, who are attracted by his charmes and his title or his militaristic and aristocratic behaviour. He tries to have success with Mrs Hughes, the wife of the new US ambassador. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Erich von Stroheim's excesses on the film also included ordering lavish evening gowns from Paris, silk stockings, and monogrammed silk underwear for his actors to wear so they could "feel more like aristocrats." He decorated his sets with real porcelain, tapestries and crystal chandeliers. At banquet scenes he insisted on using real champagne and caviar. When asked by a studio executive why he couldn't substitute ginger ale and blackberry jam as props for the champagne and caviar, von Stroheim replied, "Because my actors will know the difference, I will know the difference, and the camera will know the difference." See more »
When the original actor playing Mr. Hughes died in the middle of filming, he was replaced by a double, who completed his scenes with his back mostly to the camera. Apparently, however, nobody noticed that the original actor had significantly darker hair than his replacement. Therefore, Mr. Hughes's hair turns white in several scenes, including the sequence where his wife says goodbye to him in the casino, and his confrontation with the count at the villa. See more »
'Foolish Wives' is the 'Smile' (Brian Wilson, sandpits, fire engines) of world cinema. What wonders might reside in the lost reels when such sumptuous detail and glorious framing fill all that remains? It is as over ripe and decadent as the novels of Huysmans, with Von Stroheim, an amoral Count that drinks oxblood for breakfast, giving one of the most richly-textured variations on villainy ever seen on film.
For all its director's notorious largesse it is the intimate particulars and distillation of atmosphere that enchant: a sea breeze disturbing the drapes and dresses on a sunlit terrace, the Count's tortuously coy dance of seduction in front of the hotel, the interior of a garlanded boat in a bay illuminated by lanterns.
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