| Photos (See all 12 | slideshow) |
| Rudolf Klein-Rogge | ... | Dr. Mabuse | |
| Aud Egede Nissen | ... | Cara Carozza, die Tänzerin | |
| Gertrude Welcker | ... | Gräfin Dusy Told (as Gertrude Welker) | |
| Alfred Abel | ... | Graf Told / Richard Fleury - US version | |
| Bernhard Goetzke | ... | Staatsanwalt von Welk / Chief Inspector Norbert von Wenck / Chief Inspector De Witt - US version | |
| Paul Richter | ... | Edgar Hull | |
| Robert Forster-Larrinaga | ... | Spoerri | |
| Hans Adalbert Schlettow | ... | Georg, the Chauffeur (as Hans Adalbert von Schlettow) | |
| Georg John | ... | Pesch | |
| Charles Puffy | ... | Hawasch (as Karl Huszar) | |
| Grete Berger | ... | Fine, a servant | |
| Julius Falkenstein | ... | Karsten | |
| Lydia Potechina | ... | Die Russin | |
| Julius E. Herrmann | ... | Emil Schramm (as Julius Herrmann) | |
| rest of cast listed alphabetically: | |||
| Julietta Brandt | (as Julie Brandt) | ||
| Max Adalbert | ... | (uncredited) | |
| Anita Berber | ... | Taenzerin im Frack (uncredited) | |
| Paul Biensfeldt | ... | Mann, der die Pistole bekommt (uncredited) | |
| Gustav Botz | ... | (uncredited) | |
| Lil Dagover | ... | (uncredited) | |
| Heinrich Gotho | ... | (uncredited) | |
| Leonhard Haskel | ... | (uncredited) | |
| Erner Huebsch | ... | (uncredited) | |
| Gottfried Huppertz | ... | (uncredited) | |
| Hans Junkermann | ... | (uncredited) | |
| Adolf Klein | ... | (uncredited) | |
| Erich Pabst | ... | (uncredited) | |
| Edgar Pauly | ... | Big Spectator (uncredited) | |
| Karl Platen | ... | Diener Tolds (uncredited) | |
| Auguste Prasch-Grevenberg | ... | (uncredited) | |
| Adele Sandrock | ... | (uncredited) | |
| Willy Schmidt-Gentner | ... | (uncredited) | |
| Hans Sternberg | ... | (uncredited) | |
| Olaf Storm | ... | (uncredited) | |
| Oscar Stribolt | ... | Enthusiastic Volunteer at Magic Show (uncredited) | |
| Erich Walter | ... | (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits(in alphabetical order) | ||
| Norbert Jacques | novel | |
| Fritz Lang | ||
| Thea von Harbou | ||
Produced by | |||
| Erich Pommer | .... | producer | |
Original Music by | |||
| Konrad Elfers | |||
| Robert Israel | |||
| Aljoscha Zimmermann | |||
Cinematography by | |||
| Carl Hoffmann | |||
Art Direction by | |||
| Otto Hunte | |||
| Erich Kettelhut | |||
| Karl Stahl-Urach | |||
| Karl Vollbrecht | |||
Costume Design by | |||
| Vally Reinecke | |||
Music Department | |||
| Osmán Pérez Freire | .... | composer: original theme | |
| Shane Ryan | .... | music editor (2001) (as Shane Gledhill) | |
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| Batman Begins | The Big Heat | The Fugitive | The Constant Gardener | Bullitt |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Germany section |
Fritz Lang's epic story of "Dr. Mabuse: The Gambler" is always interesting, and at times fascinating. Lang obviously enjoyed filming this kind of material, and he adds numerous imaginative touches to it. Lang's distinctive approach and Rudolf Klein-Rogge's portrayal of Mabuse give it some lasting images to go with the involved story.
Movies about master criminals are hardly rare, and even the more popular movies of the genre are often shallow and over-praised. In some respects, the story of Dr. Mabuse is similar to most: he has an extensive bag of tricks that he uses to pull off his schemes, and the movie often holds your attention simply by making you guess what he is planning to do next. But there is more psychological depth to the Mabuse story than there is in most such movies, and this is complemented by the distinctive array of settings and the overall portrayal of society, which at times suggest themes that go well beyond the personal battle between Mabuse and the law.
While quite entertaining, this is not really a truly great movie, because on the whole it just does not have that much to say. It is all too easy for film-makers to depict a decadent, morally-neutral society in a way that seems more profound than it really is. Lang is markedly superior to most of the present-day film-makers who try to create Mabuse-style characters and stories, which is why this has enough substance to have held up pretty well over the years.
As entertainment, "Dr. Mabuse: The Gambler" compares well with almost anything of its kind, and it is as good as any of Lang's own films. As a work of art, though, even in Lang's own filmography it has to take a back seat - though perhaps not by a lot - to "Metropolis" and other more profound works.