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Dr. Mabuse: The Gambler (1922)
"Dr. Mabuse, der Spieler - Ein Bild der Zeit" (original title)

7.8
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Ratings: 7.8/10 from 4,261 users  
Reviews: 29 user | 46 critic

Arch-criminal Dr. Mabuse sets out to make a fortune and run Berlin. Detective Wenk sets out to stop him.

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Cast

Complete credited cast:
...
Aud Egede-Nissen ...
Cara Carozza, die Tänzerin
Gertrude Welcker ...
Gräfin Dusy Told (as Gertrude Welker)
Alfred Abel ...
Graf Told / Richard Fleury - US version
Bernhard Goetzke ...
Staatsanwalt von Welk / Chief Inspector Norbert von Wenck / Chief Inspector De Witt - US version
...
Edgar Hull
Robert Forster-Larrinaga ...
Spoerri
...
Georg, the Chauffeur (as Hans Adalbert von Schlettow)
Georg John ...
Pesch
Charles Puffy ...
Hawasch (as Karl Huszar)
Grete Berger ...
Fine, a servant
Julius Falkenstein ...
Karsten
Lydia Potechina ...
Die Russin
Julius E. Herrmann ...
Emil Schramm (as Julius Herrmann)
Rest of cast listed alphabetically:
Julietta Brandt ...
(as Julie Brandt)
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Storyline

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him. Written by Snow Leopard

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 May 1922 (Germany)  »

Also Known As:

The Fatal Passion  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(restored) | (part 2) | (part 1) | (part 2) | (part 1) | (video) | (Murnau Foundation restoration)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Included in the book "1001 Movies You Must See Before You Die", edited by Steven Jay Schneider. See more »

Goofs

When Mabuse enters the counterfeiting den in the guise of a drunken sailor, he unlocks the ribbed door and pushes it open. The next shot, from inside the den, shows the henchman pull the closed door open for Mabuse. See more »

Quotes

Staatsanwalt von Welk: [speaking on the phone:] Mabuse, surrender! We have ringed the house!
Dr. Mabuse: I feel like a state within the State. Come and get me!
Staatsanwalt von Welk: We shall be using strong means; resistance is useless!
See more »

Connections

Referenced in Dr. M (1990) See more »

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User Reviews

An Interesting & Occasionally Fascinating Epic
10 September 2004 | by (Ohio) – See all my reviews

Fritz Lang's epic story of "Dr. Mabuse: The Gambler" is always interesting, and at times fascinating. Lang obviously enjoyed filming this kind of material, and he adds numerous imaginative touches to it. Lang's distinctive approach and Rudolf Klein-Rogge's portrayal of Mabuse give it some lasting images to go with the involved story.

Movies about master criminals are hardly rare, and even the more popular movies of the genre are often shallow and over-praised. In some respects, the story of Dr. Mabuse is similar to most: he has an extensive bag of tricks that he uses to pull off his schemes, and the movie often holds your attention simply by making you guess what he is planning to do next. But there is more psychological depth to the Mabuse story than there is in most such movies, and this is complemented by the distinctive array of settings and the overall portrayal of society, which at times suggest themes that go well beyond the personal battle between Mabuse and the law.

While quite entertaining, this is not really a truly great movie, because on the whole it just does not have that much to say. It is all too easy for film-makers to depict a decadent, morally-neutral society in a way that seems more profound than it really is. Lang is markedly superior to most of the present-day film-makers who try to create Mabuse-style characters and stories, which is why this has enough substance to have held up pretty well over the years.

As entertainment, "Dr. Mabuse: The Gambler" compares well with almost anything of its kind, and it is as good as any of Lang's own films. As a work of art, though, even in Lang's own filmography it has to take a back seat - though perhaps not by a lot - to "Metropolis" and other more profound works.


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