After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
The Buddah priest wants the Daughter of the Daimyo to become a priest at the Forbidden Garden. The Daimyo thinks, if he was in Europe, that his daughter should decide on her own, but he is ... See full summary »
Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, ... See full summary »
Commissioner Lohmann is already planning his holidays. An unexpected phone call calls him back to work. A member of Interpol was murdered. The head of an organisation wants to come into ... See full summary »
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him. Written by
Fritz Lang originally wanted the actress portraying Venus to be completely nude. When the first take was completed, he didn't like how the woman's pubic hair looked, and ordered her to shave it off. The actress indignantly refused, sending Lang into a tantrum. Eventually, a compromise was reached when a small strip of cloth was draped over the offending hair. This scene was predictably removed from the revival versions that circulated throughout the 1940s, 1950s and 1960s, and has only recently been part of the film in the rare showings of the Fritz Lang archives' complete copy of Dr. Mabuse. See more »
As Mabuse's driver gasses Von Wenk in the taxi cab, there is a brief cutaway showing Mabuse himself in the back seat instead, clearly a recycled shot from the scene before. See more »
Dr. Mabuse is one of cinema's first super-villains and one the best also!
Dr. Mabuse is one of cinema's first super-villains and one the best also! In addition to being a massive influence on screen villains ever since (just about every comic book bad guy can be traced back to this), its still an entertaining film despite its mammoth length. This film has been split into two parts, so its probably best to watch it in two different sittings. Its still easy to become absorbed with the break in between, and I can imagine that watching this film for four hours may eventually become a bit tedious. A film has to be really good to hold my interest for more than three hours. This isn't a masterpiece on the level of "Metropolis" or "M", but it is still a recommended viewing for silent film buffs and film fanatics in general.
The lead performance by Rudolf Klein-Rogge is memorable, making Mabuse a despicable individual yet still sympathetic in some ways. This is probably because hes easily the most interesting character in the whole film. Some have criticized having him fall in love, but I think it adds a layer of depth to the character. In some ways, he could be considered cinema's first anti-hero.
The first half ("The Gambler") is over the top with wonderful looks at German economy before Hitler came into power. The second half "King of Crime" isn't as flamboyant, but probably better because it has a plot. Plus, the sets in both are fantastic expressionism, and part two has a neat surreal nightmare sequence. Even though it can become silly at times and the situations and performances melodramatic, this is one of the most well-paced silents I've seen. Its better to see "Metropolis" first, but if you enjoyed that, check out "Dr. Mabuse". (8/10)
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