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Day Dreams (1922)

 -  Short | Comedy  -  November 1922 (USA)
6.9
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Ratings: 6.9/10 from 1,295 users  
Reviews: 21 user | 6 critic

A sincere young man leaves his home to win his fortune so he can marry his home town sweetheart.

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(as Eddie Cline) ,
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Title: Day Dreams (1922)

Day Dreams (1922) on IMDb 6.9/10

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Cast

Complete credited cast:
...
The Young Man
Renée Adorée ...
The Girl (as Renee Adoree)
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Storyline

Buster goes away to the city to prove to his girl's father he can succeed. He writes her of his various jobs which she glorifies in her imagination. She sees a surgeon, he is a vet's assistant; she sees him cleaning up on Wall Street, he's really a janitor. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Short | Comedy

Certificate:

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Details

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Release Date:

November 1922 (USA)  »

Also Known As:

Day Dreams  »

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Technical Specs

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Although existing prints are incomplete with such scenes as Buster Keaton working in a hospital etc remaining lost, however, a scene in which Renée Adorée imagines Keaton to be a policeman have been rediscovered and restored and is presented as an extra on the Keaton Plus DVD available from Kino. See more »

Quotes

The Young Man: I've come to ask for your daughter's hand in marriage.
The Girls Father: How will you support her?
The Young Man: I don't know. I'll leave for the city to make good. If I'm not a success, I'll come back and shoot myself.
The Girls Father: Splendid. I'll lend you my revolver.
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Connections

Featured in L'Art de Buster Keaton (2001) See more »

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User Reviews

Has Some Great Scenes
3 August 2001 | by (Ohio) – See all my reviews

This short comedy has some great scenes, and it's enjoyable even though it apparently survives only in a somewhat fragmented form. The setup allows for some imaginative gags, and Renée Adorée helps out, playing the girlfriend of Keaton's character.

The story has Buster trying his hand at various professions in order to prove himself to his girl's father, getting himself into a series of comic situations each time. There are several routine stretches, but there is also a great chase sequence in the last half, which has many inventive details and that must have required some very meticulous planning. It's similar to some of Keaton's other memorably exaggerated chase setups, and it's a lot of fun to watch.

Fans of Keaton should find this well worth watching, even though you must accept many imperfections in the print in order to see it.


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