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The Blacksmith (1922)

 |  Comedy, Short  |  21 July 1922 (USA)
7.0
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Ratings: 7.0/10 from 1,457 users  
Reviews: 12 user | 7 critic

Buster Keaton shoes horses and repairs cars, with mixed results.

Directors:

, (as Mal. St. Clair)

Writers:

, (as Mal. St. Clair)
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Title: The Blacksmith (1922)

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Cast

Complete credited cast:
...
Blacksmith's Assistant (as 'Buster' Keaton)
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Storyline

Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Short

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Details

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Release Date:

21 July 1922 (USA)  »

Also Known As:

El herrero  »

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Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The gleaming Rolls-Royce which is destroyed in the film was reportedly a wedding present given to Buster Keaton by his in-laws. By the time this film was made, relations with them had soured considerably. See more »

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User Reviews

 
The movie felt a little "claustrophobic"
24 July 2006 | by (Bradenton, Florida) – See all my reviews

My above comment is alluding to the fact that almost all the action in the film takes place in and immediately around the blacksmith shop. As a result, except at the very end, the film tends to feel a bit restrained. And, in general, the jokes are not very typical of Keaton's shorts from the 20s, as instead of odd situations and pratfalls, the emphasis is definitely more on Buster breaking things.

Buster is the blacksmith's assistant and as the film begins, his boss is taken to jail--leaving the inexperienced and pretty stupid Buster to run the shop. Again and again, he screws up in so many ways and just seems pretty forced compared to his character in most other films. Smashing a car, getting oil all over a horse's coat and accidentally sitting on a red-hot horseshoe is about the speed of the film. While these are funny, the laughs never seem to get that strong--with only minor chuckles here and there. Not one of Keaton's better shorts in the decade, but still an improvement over the type shorts he did for Keystone in the 1910s.


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