IMDb > Beyond the Rocks (1922)
Beyond the Rocks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
main detailscombined detailsfull cast and crewcompany credits
Awards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage board
Plot & Quotes
plot summarysynopsisplot keywordsmemorable quotes
Did You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDesk
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Beyond the Rocks (1922) More at IMDbPro »

Photos (See all 11 | slideshow)


User Rating:
7.8/10   1,955 votes »
Your Rating:
Saving vote...
Deleting vote...
/10   (delete | history)
Sorry, there was a problem
Popularity: ?
No change in popularity this week. See why on IMDbPro.
Elinor Glyn (based on the novel by)
Jack Cunningham (scenario)
View company contact information for Beyond the Rocks on IMDbPro.
Release Date:
7 May 1922 (USA) See more »
A young woman marries an older millionaire and then falls in love with a handsome nobleman on her honeymoon. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Picture, actors & story better than I had been told, sound effects more distracting than I had been warned. See more (52 total) »


  (in credits order)

Rudolph Valentino ... Lord Hector Bracondale

Gloria Swanson ... Theodora Fitzgerald
Edythe Chapman ... Lady Bracondale

Alec B. Francis ... Captain Fitzgerald
Robert Bolder ... Josiah Brown
Gertrude Astor ... Morella Winmarleigh
June Elvidge ... Lady Anna Anningford
Mabel Van Buren ... Jane McBride
Helen Dunbar ... Lady Ada Fitzgerald
Raymond Blathwayt ... Sir Patrick Fitzgerald
Frank Butler ... Lord Wensleydon (as F. R. Butler)
rest of cast listed alphabetically:

Gino Corrado ... Guest at Alpine Inn (uncredited)
Mary Foy ... Clementine - Theodora's Older Sister #1 (uncredited)
Lucien Littlefield ... Sir Lionel Grey's Associate (uncredited)
Larry Steers ... Guest at Beachleigh (uncredited)
Adele Watson ... Sarah - Theodora's Older Sister #2 (uncredited)
Leo White ... Pageant Director (uncredited)

Directed by
Sam Wood 
Writing credits
Elinor Glyn (based on the novel by)

Jack Cunningham (scenario)

Produced by
Jesse L. Lasky .... producer
Original Music by
Henny Vrienten (2005 alternate version)
Cinematography by
Alfred Gilks (camera)
Film Editing by
Vincent Carmiggelt (2005 alternate version)
Sound Department
Vincent Carmiggelt .... sound engineer (2005 alternate version)
Wim Post .... sound mixer (2005 alternate version)
Henny Vrienten .... sound (2005 alternate version)
Camera and Electrical Department
Osmond Borradaile .... assistant camera (uncredited)
Music Department
Vincent Carmiggelt .... assistant to composer (2005 alternate version)
Soren Venema .... musician: zither & harpguitar (2005 alternate version)
Eric Vloeimans .... musician: trumpet (2005 alternate version)
Henny Vrienten .... musician (2005 alternate version)
Gert Wantenaar .... musician: accordion (2005 alternate version)
Other crew
Ronald Bosdam .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Reneé Bruinoge .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version) (as René Bruinooge)
Gerard de Haan .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Paulo Fonseca .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Ed Frederiks .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Irene Haan .... staff: Nederlands Filmmuseum (2005 alternate version)
Marije Kool .... staff: Nederlands Filmmuseum (2005 alternate version)
Leo Kuyper .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Mark Mallon .... staff: Nederlands Filmmuseum (2005 alternate version)
Mark Paul Meyer .... staff: Nederlands Filmmuseum (2005 alternate version)
Géke Roelink .... staff: Nederlands Filmmuseum (2005 alternate version)
Elif Rongen-Kaynakçi .... archival researcher: Nederlands Filmmuseum (2005 alternate version)
Frank Roumen .... production: Nederlands Filmmuseum (2005 alternate version)
Jan van den Brink .... staff: Nederlands Filmmuseum (2005 alternate version)
Jaap van Loenen .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Juan Vrijs .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Joe Adamson .... thanks: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences (2005 alternate version)
Barry Allen .... thanks: Paramount Pictures (2005 alternate version)
Michelle Amon .... thanks (2005 alternate version)
Brooke Anderson .... thanks (2005 alternate version)
Dennis Doros .... thanks: Milestone Film & Video (2005 alternate version)
Barbara Hall .... thanks: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences (2005 alternate version)
Amy Heller .... thanks: Milestone Film & Video (2005 alternate version)
Jenny Romero .... thanks: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences (2005 alternate version)
Edmund R. Rosenkrantz .... thanks (2005 alternate version)
Frederique Urlings .... thanks (2005 alternate version)
Steve Wilson .... thanks: Harry Ransom Center, University of Texas (2005 alternate version)

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
80 min (2005 alternate version) | Spain:76 min (DVD edition)
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Lost for most of the 20th century, a copy of this film was discovered in April 2003 in Haarlem (The Netherlands) in a private collection. It was restored by the Nederlands Film Museum and the Hagheflim Conservation and was screened in 2005, complete with English dialogue screens in place of the original Dutch, at the Cannes film festival. It made its television debut on May 21, 2006, on Turner Classic Movies as part of a nine-film tribute to Rudolph Valentino.See more »
Crew or equipment visible: When Husein Ben Ali and his men are being chased away by the soldiers, a crew member steps in front of the camera during the wide shot of the scene.See more »
Sarah - Theodora's Older Sister #2:Has he proposed?
Theodora Fitzgerald:No, but I'm afraid he's going to.
See more »
Movie Connections:
Referenced in Return to Babylon (2013)See more »


This FAQ is empty. Add the first question.
5 out of 6 people found the following review useful.
Picture, actors & story better than I had been told, sound effects more distracting than I had been warned., 19 December 2005
Author: Larry41OnEbay-2 from Culpeper, VA USA

I've loved silent films for years so I'm not your average film viewer, I watch as many as I can find because they're to too rare and usually uniquely entertaining. Beyond the Rocks is not your typical silent in that is the only pairing of stars two of the brightest stars in what was a lost but not forgotten film. It was only forgotten because it was lost for 80years but after the discovery in the Netherlands we finally have a chance to see it for ourselves. I first want to applaud them and all their hard work as I would any archivist in their efforts to make history available to all of us.

I had read some of the many reviews on the IMDb, and after seeing it, the reviews are quite funny. One reviewer writes how Valentino walks away with the film but was not impressed by Swanson. Another finds Swanson radiant and Valentino stiff and inexpressive. And other's thought the film's costumes were the best part! I enjoyed it mostly because the actors had charm including the dumpy old rich husband that got in and then later out of the way. The story was typical meller-drama with our sympathies being first with drowning Swanson, then the dangling mountain climber Swanson, then the trapped in a poor family Swanson turned social climber stuck married to a chubby old man she didn't love Swanson.

Valentino and Swanson never really turn on the heat on high but after kismet (aka author/scriptwriter) has brought them together repeatedly they do simmer a little.

On the whole I enjoyed seeing the film on the big screen. The "digital restoration" turned out to be that the picture image pretty sharp and is rock steady instead of jumpy and jittery. It was a detailed image with sharp focus obviously made from a 35mm nitrate print. What continually struck me as being odd is that the film was filled with artifacts like spots, dirt, specks, blotches, scratches, tears, etc. I've seen several digitally restored titles where these minor image imperfections were removed. And I'm familiar with nitrate decomposition and what that looks like and there were a couple of sections where I understand it was a necessity to see/show that's all that has survived in the source material. But, it does not look like any effort was made to clean up or correct any of the wear throughout the print. Especially, the little lines on the left side of the image caused by those tiny, stress tears at sprocket holes that dance thru out the film. I realize a lot of people probably worked hard and much money was spent on making it look as good as it does, but if the lack of money or time was a problem then why spend too much on the excessive soundtrack? I've seen hundreds of silent films and they should be presented with music that matches/compliments the action. The presentation I saw used a new soundtrack especially made for this restoration and it was not a simply piano or music track using music in a style that would have been used at the films original release. Instead we heard boat and car motors running, the gravel getting crushed under the wheels of a moving car, doors opening & closing, every footstep, papers rustling, dogs painting, background crowd murmurings, envelopes being opened, every sound under the sun except the voices of the lead actors! UGH! These background effects did not compliment the action but constantly bring attention to them selves as unnecessary and intrusive! A proper silent era film presentation has the film accompanied by music of the era that is played live and the musician interprets the mood as it is presented on screen and blends it with the mood of that particular audience. This live mixing of projected larger than life image, live music and interactions of the audience create a recipe for cinema magic! And even though I have ranted on about how I disliked the sound effects that were added to this silent motion picture I did enjoy seeing the film and would not want to prevent anyone from seeing it any way they can. But I hope when it is released another/better soundtrack is offered/optioned on the DVD in case a customer has an experience like mine. My votes, film 7 out of 10, 1950s styled jazz music 4 out of 10 and distracting modern/faked sound effects -1 out of ten.

Was the above review useful to you?
See more (52 total) »

Message Boards

Discuss this movie with other users on IMDb message board for Beyond the Rocks (1922)
Recent Posts (updated daily)User
European or American Version? james_gb
some people are too selfish manicsounds
Subtle and restrained. brostonjon
Turner Classic Movies 5/21 raphis
Tucson screenings next week mrmsmith
Denver screening for Valentine's Day 2006 ebeteille
See more »


If you enjoyed this title, our database also recommends:
- - - - -
Gone with the Wind Dodsworth Suspicion Nicholas Nickleby Giant
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
News articles IMDb Drama section IMDb USA section

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Edit page' button will take you through a step-by-step process.