IMDb > Beyond the Rocks (1922)
Beyond the Rocks
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Beyond the Rocks (1922) More at IMDbPro »

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Overview

User Rating:
7.8/10   1,933 votes »
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Director:
Writers:
Elinor Glyn (based on the novel by)
Jack Cunningham (scenario)
Contact:
View company contact information for Beyond the Rocks on IMDbPro.
Release Date:
7 May 1922 (USA) See more »
Genre:
Plot:
A young woman marries an older millionaire and then falls in love with a handsome nobleman on her honeymoon. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
A wonderful discovery ... but not a grand film See more (53 total) »

Cast

  (in credits order)

Rudolph Valentino ... Lord Hector Bracondale

Gloria Swanson ... Theodora Fitzgerald
Edythe Chapman ... Lady Bracondale

Alec B. Francis ... Captain Fitzgerald
Robert Bolder ... Josiah Brown
Gertrude Astor ... Morella Winmarleigh
June Elvidge ... Lady Anna Anningford
Mabel Van Buren ... Jane McBride
Helen Dunbar ... Lady Ada Fitzgerald
Raymond Blathwayt ... Sir Patrick Fitzgerald
Frank Butler ... Lord Wensleydon (as F. R. Butler)
rest of cast listed alphabetically:

Gino Corrado ... Guest at Alpine Inn (uncredited)
Mary Foy ... Clementine - Theodora's Older Sister #1 (uncredited)
Lucien Littlefield ... Sir Lionel Grey's Associate (uncredited)
Larry Steers ... Guest at Beachleigh (uncredited)
Adele Watson ... Sarah - Theodora's Older Sister #2 (uncredited)
Leo White ... Pageant Director (uncredited)

Directed by
Sam Wood 
 
Writing credits
Elinor Glyn (based on the novel by)

Jack Cunningham (scenario)

Produced by
Jesse L. Lasky .... producer
 
Original Music by
Henny Vrienten (2005 alternate version)
 
Cinematography by
Alfred Gilks (camera)
 
Film Editing by
Vincent Carmiggelt (2005 alternate version)
 
Sound Department
Vincent Carmiggelt .... sound engineer (2005 alternate version)
Wim Post .... sound mixer (2005 alternate version)
Henny Vrienten .... sound (2005 alternate version)
 
Camera and Electrical Department
Osmond Borradaile .... assistant camera (uncredited)
 
Music Department
Vincent Carmiggelt .... assistant to composer (2005 alternate version)
Soren Venema .... musician: zither & harpguitar (2005 alternate version)
Eric Vloeimans .... musician: trumpet (2005 alternate version)
Henny Vrienten .... musician (2005 alternate version)
Gert Wantenaar .... musician: accordion (2005 alternate version)
 
Other crew
Ronald Bosdam .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Reneé Bruinoge .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version) (as René Bruinooge)
Gerard de Haan .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Paulo Fonseca .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Ed Frederiks .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Irene Haan .... staff: Nederlands Filmmuseum (2005 alternate version)
Marije Kool .... staff: Nederlands Filmmuseum (2005 alternate version)
Leo Kuyper .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Mark Mallon .... staff: Nederlands Filmmuseum (2005 alternate version)
Mark Paul Meyer .... staff: Nederlands Filmmuseum (2005 alternate version)
Géke Roelink .... staff: Nederlands Filmmuseum (2005 alternate version)
Elif Rongen-Kaynakçi .... archival researcher: Nederlands Filmmuseum (2005 alternate version)
Frank Roumen .... production: Nederlands Filmmuseum (2005 alternate version)
Jan van den Brink .... staff: Nederlands Filmmuseum (2005 alternate version)
Jaap van Loenen .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
Juan Vrijs .... laboratory staff: Cineco/Haghefilm Amsterdam (2005 alternate version)
 
Thanks
Joe Adamson .... thanks: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences (2005 alternate version)
Barry Allen .... thanks: Paramount Pictures (2005 alternate version)
Michelle Amon .... thanks (2005 alternate version)
Brooke Anderson .... thanks (2005 alternate version)
Dennis Doros .... thanks: Milestone Film & Video (2005 alternate version)
Barbara Hall .... thanks: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences (2005 alternate version)
Amy Heller .... thanks: Milestone Film & Video (2005 alternate version)
Jenny Romero .... thanks: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences (2005 alternate version)
Edmund R. Rosenkrantz .... thanks (2005 alternate version)
Frederique Urlings .... thanks (2005 alternate version)
Steve Wilson .... thanks: Harry Ransom Center, University of Texas (2005 alternate version)
 

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Additional Details

Also Known As:
Runtime:
80 min (2005 alternate version) | Spain:76 min (DVD edition)
Country:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Lost for most of the 20th century, a copy of this film was discovered in April 2003 in Haarlem (The Netherlands) in a private collection. It was restored by the Nederlands Film Museum and the Hagheflim Conservation and was screened in 2005, complete with English dialogue screens in place of the original Dutch, at the Cannes film festival. It made its television debut on May 21, 2006, on Turner Classic Movies as part of a nine-film tribute to Rudolph Valentino.See more »
Goofs:
Crew or equipment visible: When Husein Ben Ali and his men are being chased away by the soldiers, a crew member steps in front of the camera during the wide shot of the scene.See more »
Quotes:
Theodora Fitzgerald:[to Lord Bracondale, after he has saved her life a second time] Fate seems to send you to me when I most need you, Lord Bracondale.See more »

FAQ

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22 out of 26 people found the following review useful.
A wonderful discovery ... but not a grand film, 23 December 2005
Author: overseer-3 from Florida

I had a full range of impressions and emotions while watching this recently rediscovered silent film. I saw it on a big screen in Orlando (before DVD release) and my husband and I sat in the very front row so we would be right on top of it and wouldn't miss a thing.

Story aspects: Beyond the Rocks is a romantic melodrama, based on a story by Elinor Glyn. It had some typical silent film clichés and overacting, but to a veteran silent film fan this will not be distracting. Gloria Swanson plays Theodora, who loves her father and family enough to sacrifice for them by marrying an older man she does not love just because he is rich. Afterward she falls in love with Hector (Rudolph Valentino), a rich romantic young gentleman who rescues her from the clutches of death not just once, but twice. A series of circumstances leads the husband to understand his wife is in love with another man, and he goes off on a dangerous exhibition to Algeria with the aim of sacrificing himself so that the young couple can be together.

Swanson and Valentino obviously enjoyed working together, they had a nice chemistry together on screen, though it didn't strike me as a terribly passionate one. In fact there was not one single kiss scene in the entire film, a major disappointment to me (unless there was one in missing footage). The closest they come to it is one scene where she rubs her cheek against his head. There was instead much talk of duty and doing the right thing by staying away from each other as much as possible, so that the husband would not be hurt.

Style aspects: Gloria's clothes in the film were gorgeous. Valentino on the other hand looked like he was shortchanged in the wardrobe department in several scenes, where he wears a tweed suit that ill becomes him. It looks too tight and only one top button is buttoned on his suit coat, which looked odd to me. For one brief scene he looks incredibly dashing all dressed in white. This was also the first time I noticed that Valentino had a rather large horizontal scar on his right cheek! You can see details like this much better on a big screen. I have never noticed it in any Valentino film I've seen on DVD. In the beginning scenes Valentino looks so young he looks like a teenager. Delectable. Gloria on the other hand had so much makeup on that she looked much older than her years, older even than she looked in Queen Kelly! That kept putting me off. It got a little better when she started wearing sophisticated, glamorous clothes, when she did age as part of the plot.

The art direction was pretty good for a 1922 movie. The scenes on the water and in the desert were quite realistic. The interior of homes looked authentic to the time period. Obviously a great deal of thought was dedicated to the overall look of the film, to make it artistic as much as possible.

Technical aspects: The film started at 7 pm and ended at 8:15 pm, so it was roughly one hour and 10 minutes long (with a 5 minute intro). My first impression of the film was that I was disappointed the beginning titles and credits were obviously lost. The font they used for the title and star credits was a modern, simple one and not impressive. If I were restoring it I would have designed opening credits with a strong vintage look to them, perhaps using a decorative flower design border. They could have gotten ideas from similar 1922 films. To just announce their magical names, Gloria Swanson and Rudolph Valentino, with a boring, ugly modern font was not appropriate and didn't do justice to the importance of this film find.

Most scenes had artifacts galore and missing frames. A pageant sequence was partly missing, leaving the audience with unanswered questions as to what went on during those important scenes. There were some deteriorated scenes and decomposition but most of the film was in watchable condition, and we should be thankful we have it at all.

Musical aspects: The score was a strange mixed bag of new age music with some jazzy refrains thrown in at inappropriate times. One flashback scene received some vintage sounding music but it wasn't impressively authentic. There was one nice bit of music in a hotel scene where a musician was playing some kind of elaborate string instrument and people were dancing. That was my favorite part of the score, but alas, all too brief. Overall I feel the composer was trying to sound like James Horner's music, the fellow who did James Cameron's Titanic soundtrack, but this new age, Celtic sound is just not what I prefer when I watch my silent films. Enough with the pan flutes already! I prefer period music for silents.

The absolute worst thing about this score was the constant sound effects. It was ridiculous. No audience would have heard that many sound effects when going to watch a silent film in 1922. They wouldn't have heard that many sound effects if they had seen a silent-part sound film in 1929!

My rating: I'd give this film a 7 out of 10 for the storyline itself, a typical melodrama that wasn't original, an 8 out of 10 for set design and locations, a 4 out of 10 for the "restoration" work done, a 6 out of 10 for the music score (I might have raised that to a 7 without all the sound effects!), and an 8 out of 10 for the acting.

Addendum: I have since read the 1906 novel by Elinor Glyn, it's much better than the film. I would strongly suggest people interested in this film seek out the novel.

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European or American Version? james_gb
some people are too selfish manicsounds
Subtle and restrained. brostonjon
Turner Classic Movies 5/21 raphis
Tucson screenings next week mrmsmith
Denver screening for Valentine's Day 2006 ebeteille
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