Egyptologist, Dean Lambert (Lloyd), accused of car-theft, skips bail and begins a cross-country trek to join a group in New York headed for Egypt. With the police close on his trail he gets... See full summary »
Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
The young couple have decided to marry and it is time to ask the father for the hand of his daughter. Problem is, the father does not want to give the daughter away. So every time he goes ... See full summary »
When The Girl's father insists that, before he will agree to The Boy's marrying his daughter, he must first prove that he can do something more worthwhile than act the playboy. He joins the navy. When his ship docks at a Middle Eastern kingdom, The Girl and her father also arrive by yacht. The local maharajah kidnaps The Girl and it is up to The Boy to rescue her. Written by
Herman Seifer <firstname.lastname@example.org>
Both Lloyd and Hal Roach would haul the initial cuts of their films to theaters in the outskirts of Los Angeles for unannounced test screenings. They would carefully gauge the reactions of these audiences to individual scenes and re-cut the films accordingly. This film was unusual in that it was conceived as a 2-reel short but the 4-reel (just over 40 minutes) first cut tested so strongly with the test audience they were loathe to cut any of it. By audience default, it became his first feature-length comedy, by accident. See more »
When The Girl takes the cigar away from the old woman on the streets of Khairpura-Bhandanna, she turns and sees Harold approaching; she then immediately reaches out her arms to embrace him and she's holding the cigar in her right hand. In the next shot, as she has her arms around Harold's neck, the cigar is now in her left hand. See more »
While this film isn't really as long as most feature films, it is longer than a short and really falls in between the two types of films in length.
This film was remade three years later as WHY WORRY? though there were some changes made in the plot--enough that I recommend you see both. However the overall themes and plot elements are interchangeable. In both he's a rich guy who needs to grow up and be more industrious, and in both he ultimately rescues his lady while in a foreign land. In WHY WORRY? the setting was a revolution on a South American island and in this film it was a Muslim nation and its leader who kidnaps the lady to put her in his harem.
The general direction of the plot is pure Lloyd formula--wimpy guy meets girl and somehow rises to the occasion to fight for and win her. This is nicely made but not exactly different from many of his other films in this sense. It's worth seeing, but other films such as THE FRESHMAN, GIRL SHY and SPEEDY are better Lloyd vehicles.
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