Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
The Uptown Boy, J. Harold Manners (Lloyd) is a millionaire playboy who falls for the Downtown Girl, Hope (Ralston) who works in Brother Paul's (Weigel) mission. In order to build up ... See full summary »
Episodic look at married life and in-law problems. Adventures include a ride on a crowded trolley with a live turkey; a wild spin in a new auto with the in-laws in tow; and a sequence in ... See full summary »
Fred C. Newmeyer,
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
When The Girl's father insists that, before he will agree to The Boy's marrying his daughter, he must first prove that he can do something more worthwhile than act the playboy. He joins the navy. When his ship docks at a Middle Eastern kingdom, The Girl and her father also arrive by yacht. The local maharajah kidnaps The Girl and it is up to The Boy to rescue her. Written by
Herman Seifer <firstname.lastname@example.org>
With the release of this film, Harold Lloyd became just the second silent comedian to release a feature-length film. See more »
When The Girl takes the cigar away from the old woman on the streets of Khairpura-Bhandanna, she turns and sees Harold approaching; she then immediately reaches out her arms to embrace him and she's holding the cigar in her right hand. In the next shot, as she has her arms around Harold's neck, the cigar is now in her left hand. See more »
While this film isn't really as long as most feature films, it is longer than a short and really falls in between the two types of films in length.
This film was remade three years later as WHY WORRY? though there were some changes made in the plot--enough that I recommend you see both. However the overall themes and plot elements are interchangeable. In both he's a rich guy who needs to grow up and be more industrious, and in both he ultimately rescues his lady while in a foreign land. In WHY WORRY? the setting was a revolution on a South American island and in this film it was a Muslim nation and its leader who kidnaps the lady to put her in his harem.
The general direction of the plot is pure Lloyd formula--wimpy guy meets girl and somehow rises to the occasion to fight for and win her. This is nicely made but not exactly different from many of his other films in this sense. It's worth seeing, but other films such as THE FRESHMAN, GIRL SHY and SPEEDY are better Lloyd vehicles.
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