Susie, a plain young country girl, secretly loves a neighbor boy, William. She believes in him and sacrifices much of her own happiness to promote his own ambitions, all without his ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of... See full summary »
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves... See full summary »
Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be cured, but are separated when an aristocrat lusts after Henriette and abducts her. Only Chevalier de Vaudrey is kind to her, and they fall in love. The French Revolution replaces the corrupt Aristocracy with the equally corrupt Robespierre. De Vaudrey, who has always been good to peasants, is condemned to death for being an aristocrat, and Henriette for harboring him. Will revolutionary hero Danton, the only voice for mercy in the new regime, be able to save them from the guillotine? Written by
John Oswalt <email@example.com>
Lillian Gish first suggested D.W. Griffith film the enormously popular play "The Two Orphans," which had been translated into 40 languages, thinking of her sister Dorothy Gish in the role of Henriette. Interestingly, Griffith cast Dorothy as Louise, the passive blind victim, when it was Lillian who was best known for playing helpless heroines. Most who knew her would attest that Dorothy was the more vivacious and strong willed of the two sisters. Lillian had written of her sister in 1927 "She is laughter, even on the cloudy days of life; nothing bothers her or saddens her or concerns her lastingly." See more »
Early in the Paris scenes there are two bare-chested revolutionaries. One has visible tan lines showing that he had worn a 20s lifeguard-style two-strap bathing suit. See more »
I sometimes feel that people who are not sympathetic to the silent era and its genre should not view or comment on them.
As a long-time maven of silent films, I have no problem placing myself in that era and enjoying these movies on their own terms. Much has changed since those days, and most folks simply cannot appreciate the simplicity AND complexity of photoplays without words.
This film is magnificent and entertaining. I am not a fan of most "period pieces", but this transcends the typical fare. Check it out.
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