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Orphans of the Storm (1921)

 -  Drama  -  1922 (Poland)
8.0
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Ratings: 8.0/10 from 3,330 users  
Reviews: 32 user | 15 critic

Two orphaned sisters are caught up in the turmoil of the French Revolution, encountering misery and love along the way.

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Cast

Cast overview, first billed only:
...
...
...
Chevalier de Vaudrey
Frank Losee ...
Count de Linieres
Katherine Emmet ...
Countess de Linieres
Morgan Wallace ...
Marquis de Praille
...
Mother Frochard
Sheldon Lewis ...
Frank Puglia ...
Pierre Frochard
Creighton Hale ...
Picard
Monte Blue ...
Sidney Herbert ...
Lee Kohlmar ...
Marcia Harris ...
Henriette's Landlady
Adolph Lestina ...
Doctor
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Storyline

Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be cured, but are separated when an aristocrat lusts after Henriette and abducts her. Only Chevalier de Vaudrey is kind to her, and they fall in love. The French Revolution replaces the corrupt Aristocracy with the equally corrupt Robespierre. De Vaudrey, who has always been good to peasants, is condemned to death for being an aristocrat, and Henriette for harboring him. Will revolutionary hero Danton, the only voice for mercy in the new regime, be able to save them from the guillotine? Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

1922 (Poland)  »

Also Known As:

Ai dyo orfanai  »

Filming Locations:

 »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

D.W. Griffith used this movie as a means of commenting, obliquely, on contemporary politics of his time. He drew parallels between the anarchist mobs that overthrew the French aristocrats, and what he says in opening titles to the film are the present American dangers of succumbing to the kind of "anarchy and Bolshevism" he perceived in the recent Russian Revolution. It is a great historical irony that those Bolsheviks Griffith railed against were quite smitten with the director's incomparable ways of generating film tension in crosscutting as well as his cinematic means of conveying good and evil via sophisticated editing and framing techniques. As the father of film syntax Griffith was an enormous influence on the Soviet filmmakers Sergei M. Eisenstein and Vsevolod Pudovkin, who were inspired by many of his films including the anti-Bolshevik Orphans of the Storm (1921). See more »

Goofs

Early in the Paris scenes there are two bare-chested revolutionaries. One has visible tan lines showing that he had worn a 20s lifeguard-style two-strap bathing suit. See more »

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User Reviews

A Great Accomplishment
29 October 2001 | by (Warren Mi.) – See all my reviews

I sometimes feel that people who are not sympathetic to the silent era and its genre should not view or comment on them.

As a long-time maven of silent films, I have no problem placing myself in that era and enjoying these movies on their own terms. Much has changed since those days, and most folks simply cannot appreciate the simplicity AND complexity of photoplays without words.

This film is magnificent and entertaining. I am not a fan of most "period pieces", but this transcends the typical fare. Check it out.


27 of 34 people found this review helpful.  Was this review helpful to you?

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