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Der müde Tod
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Destiny (1921) More at IMDbPro »Der müde Tod (original title)

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Destiny -- Before directing numerous genre defining masterpieces such as Metropolis, M, and Spione, Fritz Lang was already defying cinematic conventions with Der müde Tod (literally, The Weary Death). 
 
A young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke), in an effort to save the life of her fiancé (Walter Janssen). Death weaves three romantic tragedies and offers to unite the girl with her lover, if she can prevent the death of the lovers in at least one of the episodes. Thus begin three exotic scenarios of ill-fated love, in which the woman must somehow reverse the course of destiny: Persia, Quattrocento Venice, and a fancifully rendered ancient China.  
 
Rich in expressionist imagery and featuring innovative special effects work, Der müde Tod has often been overlooked amongst Lang's early work, but has been hugely influential, with directors such as Alfred Hitchcock and Luis Buñuel citing it as a direct influence on their work. Now in 2017, in a new restoration by Anke Wilkening on behalf of the Friedrich-Wilhelm-Murnau-Stiftung, this definitive presentation of Der müde Tod preserves the original German intertitles and simulates the historic colour tinting and toning of its initial release, and is accompanied by a newly-composed score by Cornelius Schwehr as a commissioned composition by ZDF / ARTE which was originally performed by the 70-member Berlin Rundfunk Symphony Orchestra under the direction of conductor Frank Strobel, at Berlinale 2016.

Der müde Tod will be released in selected cinemas nationwide (UK & Ireland) and on Digital HD from 9 June 2017.
Destiny -- Trailer for Destiny

Overview

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Release Date:
30 January 1922 (Finland) See more »
Genre:
Tagline:
The Movie That Inspired Hitchcock and Bunuel! (2016)
Plot:
When a woman's fiancé disappears, Death gives her three chances to save him from his fate. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 nomination See more »
User Reviews:
if only movies today used their sfx so well See more (32 total) »

Cast

  (in credits order) (complete, awaiting verification)

Lil Dagover ... Young Woman / Das junge Mädchen / Zobeide / Monna Fiametta / Tiao Tsien

Walter Janssen ... Young Man / Der junge Mann / Franke / Giovan Francesco / Liang

Bernhard Goetzke ... Death / Der Tod / El Mot / Bogner / Archer
Hans Sternberg ... Mayor / Bürgermeister
Karl Rückert ... Reverend (as Carl Rückert)

Max Adalbert ... Notary / Notar / Schatzmeister / Chancellor

Wilhelm Diegelmann ... Doctor / Arzt
Erich Pabst ... Teacher / Lehrer
Karl Platen ... Pharmacist / Apotheker
Hermann Picha ... Taylor / Schneider
Paul Rehkopf ... Grave-Digger / Küster
Max Pfeiffer

Georg John ... Beggar / Bettler
Lydia Potechina ... Landlady / Wirtin
Grete Berger ... Mother / Mutter
Eduard von Winterstein ... Kalif
Erika Unruh ... Ayesha

Rudolf Klein-Rogge ... Derwisch / Girolamo
Lothar Müthel ... Messenger / Vertrauter
Edgar Pauly ... Girolamo's Friend
Louis Brody ... Moor / Mohr (as Lewis Brody)
Károly Huszár ... China's Emperor / Kaiser (as Karl Huszar)
Paul Biensfeldt ... A Hi
Paul Neumann ... Executioner / Henker
rest of cast listed alphabetically:
Hellmuth Hiemstra ... Vertraute des Girolamo
Edgar Klitzsch ... Arzt
Loisia Lehnert ... Mutter
Neumann-Schüler ... Henker
Lina Paulsen ... Amme
Ernst Rückert ... Pfarrer
Hermann Vallentin
Marie Wismar ... Alte Frau

Directed by
Fritz Lang 
 
Writing credits
(in alphabetical order)
Fritz Lang 
Thea von Harbou 

Produced by
Erich Pommer .... producer
 
Original Music by
Giuseppe Becce 
Karl-Ernst Sasse  (as Karl-Ernst Sasse Sr.)
Peter Schirmann 
 
Cinematography by
Bruno Mondi 
Erich Nitzschmann 
Herrmann Saalfrank 
Bruno Timm 
Fritz Arno Wagner 
 
Film Editing by
Fritz Lang 
 
Art Direction by
Robert Herlth 
Walter Röhrig 
Hermann Warm 
 
Costume Design by
Heinrich Umlauff 
 
Camera and Electrical Department
Robert Hegerwald .... lighting technician
Ernst Kunstmann .... camera operator
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
"Der müde Tod" - Germany (original title)
"Between Two Worlds" - USA (alternative title)
"Between Worlds" - USA (alternative title)
"Beyond the Wall" - USA (alternative title)
"The Weary Death" - USA (literal English title)
See more »
Runtime:
105 min (16 fps) | USA:114 min | 94 min (2016 restoration)
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Douglas Fairbanks bought the American rights to the film for $5000. He had no intention to release it, but so admired its technical effects, he wanted them copied for his upcoming "The Thief of Bagdad."See more »
Quotes:
Junge Maedchen:You dread, awful cactus, you!See more »
Movie Connections:
Featured in Das Erbe der Nibelungen (2011) (TV)See more »

FAQ

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11 out of 13 people found the following review useful.
if only movies today used their sfx so well, 3 January 2003
Author: mmmuconn from movie heaven

Contemporary audiences must have been awed by the spectacle of the three exotic adventure episodes within `Der Mude Tod', but the imagery Fritz Lang employs in the bookends is the most fascinating aspect of the film today. Charlie Chaplin and Buster Keaton had already occasionally used clever camera tricks, but Fritz Lang's film revels in special effects. Through editing and double exposure, he makes it look even now as though ghosts are disappearing through a garden wall, or that two lovers' souls are exiting their bodies. The most exciting thing about Lang's magic, of course, is that his images act as a foundation for beautiful, poetic ideas. His unusually sympathetic portrayal of Death is just one example of why the outer story resonates so much more than the obvious melodrama in its middle. Lang seems to argue that, while love cannot overcome death, it retains a power which even death would respect and envy.

Rating: 8

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