Destiny (1921)
"Der müde Tod" (original title)

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is ... See full summary »

Director:

Fritz Lang

Writers:

Fritz Lang, Thea von Harbou

Stars:

Lil Dagover, Walter Janssen, Bernhard Goetzke

Cast

Cast overview, first billed only:
Lil Dagover	...	Young Woman / Das junge Mädchen / Zobeide / Monna Fiametta / Tiao Tsien
Walter Janssen	...	Young Man / Der junge Mann / Franke / Giovan Francesco / Liang
Bernhard Goetzke	...	Death / Der Tod / El Mot / Bogner / Archer
Hans Sternberg	...	Mayor / Bürgermeister
Karl Rückert	...	Reverend (as Carl Rückert)
Max Adalbert	...	Notary / Notar / Schatzmeister / Chancellor
Wilhelm Diegelmann	...	Doctor / Arzt
Erich Pabst	...	Teacher / Lehrer
Karl Platen	...	Pharmacist / Apotheker
Hermann Picha	...	Taylor / Schneider
Paul Rehkopf	...	Grave-Digger / Küster
Max Pfeiffer
Georg John	...	Beggar / Bettler
Lydia Potechina	...	Landlady / Wirtin
Grete Berger	...	Mother / Mutter

Storyline

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers. In each story, a woman, trying to save her lover from his ultimate tragic fate, fails. The young lady realizes the meaning of the tales and takes the only step she can to reunite herself with her lover.

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Plot Keywords:

death | wall | stranger | inn | china | 

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Genres:

Fantasy | Thriller

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Details

Country:

Germany

Language:

German

Release Date:

30 January 1922 (Finland)

Also Known As:

Between Two Worlds

Filming Locations:

Studio Babelsberg, Potsdam, Brandenburg, Germany

Company Credits

Production Co:

Decla-Bioscop AG

Technical Specs

Runtime:

114 min 105 min

Sound Mix:

Silent

Color:

Black and White Color (tinted)

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Alfred Hitchcock's favorite film.

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Quotes

Junge Maedchen: You dread, awful cactus, you!

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Connections

Referenced in Macario (1960)

User Reviews

Special effects put to good use

This should be a lesson to the movie makers of today who have at their disposal a range of special effects other directors never had, but they use them for moronic ideas. Der Mude Tod is amazing not for its camera tricks (such as double exposure) or for their filters that give the image a certain tint to make it more revealing, but for the brilliant use of these techniques in order to achieve an aesthetic ideal. German expressionism started to fascinate me after seeing The Cabinet of Doctor Caligari, and then I went on to see some other movies that are loosely gathered under this label. Der mude Tod may not be as spectacular as Metrtopolis but it has the power to work on many levels as well. It's hard to place this in a genre, the IMDb thought it a fantasy but it is clearly more, it's romance, drama, and even a thriller in some moments. The story is a perfect example of the expressive possibilities of cinema, as the lead characters are used in three different stories connected in a larger fourth story. Just like Dr. Caligari there's more than meets the eye with the movie even if it does get a bit childish sometimes. Speaking of which, I think that the sets are constructed as if from the imagination of a child, they are definitely not "historically accurate". This goes to show you that producers today waste their money on accuracy leaving aside storytelling and good film making. And this is for the worst. And speaking of producers it is really a pity that when he came in America Lang made all those noirs and westerns. Some of them are good, because the direction is generally well done, but I think Lang could have used his talents on better scripts.