The Love Light (1921)

Director:

Frances Marion

Writer:

Frances Marion (written by)

Release Date:

9 January 1921 (USA)

Genre:

Drama

Plot:

Angela maintains a coastal lighthouse in Italy, where she awaits the return of her brothers from the war...

Plot Keywords:

Sailor | Italy | German | Spy | Lighthouse

Cast

Mary Pickford	...	Angela Carlotti
Evelyn Dumo	...	Maria
Raymond Bloomer	...	Giovanni
Fred Thomson	...	Joseph
Albert Prisco	...	Pietro
George Regas	...	Tony (as George Rigas)
Eddie Phillips	...	Mario Carlotti (as Edward Phillips)
Jean De Briac	...	Antonio Carlotti

Runtime:

89 min (alternate version)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

USA:Unrated

Filming Locations:

Monterey, California, USA

Company:

Mary Pickford Company

Trivia:

Assistant director Nat G. Deverich was almost killed during the scene showing the destruction of a ship at sea, which was filmed off the coast of Monterey, CA, and was not--as was reported in the press at the time--a miniature shot in a tank at the studio.

Movie Connections:

Featured in Mary Pickford: A Life on Film (1997)

Picturesque Squalor

From time to time it's very advisable for the aristocracy to watch some silent film about the harsh life of the common people in order to remind themselves of the privileges and the comfortable life that they have enjoyed since the beginning of mankind or even before… in comparison with the complicated and hard work that common people have to endure everyday since the aristocrats rule the world.

And that's what happens in "The Love Light", the first film directed by Dame France Marion who will be famous afterwards in the silent and talkie world thanks overall to her work as a screenwriter; better for her, certainly, because her career as a film director doesn't impress this German count.

The film tells the story of Dame Angela Carlotti ( Dame Mary Pickford ) a merry Italian girl who lives surrounded by a "picturesque squalor" ( an important difference of opinion between upper and low classes; aristocrats prefers to live surrounded by "picturesque luxury"… ); she has two brothers and a secret admirer but all she gives him in return is indifference. Destiny begins to work hard and pretty soon war is declared and Dame Angela's two brothers enlist and in the next reel both are dead. But destiny is even crueller and Dame Angela meanwhile falls in love with… a German!! And to make things worse, she doesn't know that her Teutonic sweetie is a spy and that the light signals that she sends to him every night from the lighthouse she maintains thinking that is a love signal, don't mean "Ich Liebe Dich" but "Sink Any Damn Italian Boat At Sea"…

Fortunately for Dame Angela, pretty soon her sweetie German spy will be found by the neighbours in her house in which she was hiding him ( a not strange fact, indeed, because it is not an easy task for a German to go unnoticed… ) but the German spy will prefer to die before being captured by those Italians.

From that German love, a half-Teutonic baby will born ( the wicked Destiny at full speed… ) but a greedy neighbour who has a particular idea of motherhood will carry away her son with the consent of a Catholic nun who has taken the Council of Trent to extremes… a fact that will put Dame Angela at the verge of insanity.

But meanwhile Dame Angela's secret admirer has returned from the war and you can think that finally Dame Angela's sorrowful life will improve; a tremendous mistake because Destiny has in store for her that the returned soldier is blind. But as they say in Germany, it may be a blessing in disguise and finally Dame Angela will recover her son and will start a new life with her blind sweetie in a poor Italian village in what it is supposed to be a happy ending for the common people.

As this German count said before, it was much better for Dame Frances Marion that she continued her career as a screenwriter, because as can be seen in "The Love Light", she had a lot of imagination to invent incredible stories, ja wohl!… but a completely different subject is to direct films and her silent debut lacks emotion and rhythm in spite of the effort of Dame Pickford to involve the audience with her many disgraces. The nonexistent film narrative causes indifference in the spectator making this the kind of film where only Dame Pickford herself provides the interest and not her circumstances.

And now, if you'll allow me, I must temporarily take my leave because this German Count must send Morse signals from the Schloss north tower to one of his Teutonic rich heiress.