The opening title reads: "A comedy with a smile--and perhaps a tear". As she leaves the charity hospital and passes a church wedding, Edna deposits her new baby with a pleading note in a limousine and goes off to commit suicide. The limo is stolen by thieves who dump the baby by a garbage can. Charlie the Tramp finds the baby and makes a home for him. Five years later Edna has become an opera star but does charity work for slum youngsters in hope of finding her boy. A doctor called by Edna discovers the note with the truth about the Kid and reports it to the authorities who come to take him away from Charlie. Before he arrives at the Orphan Asylum Charlie steals him back and takes him to a flophouse. The proprietor reads of a reward for the Kid and takes him to Edna. Charlie is later awakened by a kind policeman who reunites him with the Kid at Edna's mansion. Written by
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The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
When the Woman is giving toys to the children on the street, she sits down on the curb and a woman hands her a baby. When she takes the baby, she sets the last two toys, a dog and a ball, next to her on the curb and the ball rolls off the curb a couple of feet. A few shots later, when she meets John, she picks up the toys and gives them to him, but the ball is back in position next to her on the curb. See more »
Charlie Chaplin's study of a tramp teaming up with a street kid (the cute little Jackie Coogan) has a fine line to tread between humour and pathos, and true to what you would expect of his best work, does it superbly. The tramp always manages to wring the hearts of his viewers and adding a little boy to the mix was the finishing touch. Look out too for little Lita Grey in the angel sequence, who would become Chaplin's 2nd wife four years after this film was made.
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