Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
After passing the hat and taking the donations intended for German street musicians Charlie heads for the country. Here he finds and rescues a girl from a band of gypsies. The girl falls in... See full summary »
The conflict here is between Charlie the wealthy and alcoholic husband and Charlie the Tramp: the idle rich and the idle poor. In the opening scene wealthy Edna descends from a Pullman car while the Tramp crawls out from under another one. At a fancy masquerade ball Edna's husband appears as a knight whose visor is stuck closed. The Tramp shows up, running from the law, and is mistaken for the husband. Edna finds the new "husband" more to her liking than the real one. When true identities are revealed, a fight breaks out and the Tramp is ejected. Written by
Ed Stephan <firstname.lastname@example.org>
Charles Chaplin underwent a bit of a creative block prior to making this film. In an attempt to generate some ideas for a new project, Chaplin strolled through the studio's prop building grabbing and playing with various objects. Ultimately, he stumbled upon a set of golf clubs and envisioned his character, the Tramp, playing golf. The incident sparked the creation of this film. See more »
When the father-in-law smacks Charlie's doppelganger in their room, the feather falls off his armor helmet. When the father-in-law pulls him out of the room into the hall, the feather is back on the helmet. See more »
I did not think I would find silent films funny - amusing, maybe, but not funny - until I saw some of Chaplin's best work, like this film. I have now seen most of his films from 1915 through the end of the silent era, and in my view "The Idle Class" is one of the best, perhaps in part because it is not typically listed among his finest. The film is split roughly between a golf scene that dominates the first half, and a mistaken identity theme which dominates the second. "The Idle Class" avoids the sentimentality of "The Kid", which it is often teamed with in video/DVD release, opting instead for straight comedy - and is successful throughout. I defy anyone to recommend a funnier silent film.
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