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The Goat (1921)

 -  Comedy | Short  -  15 May 1921 (USA)
7.8
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Ratings: 7.8/10 from 1,783 users  
Reviews: 21 user | 6 critic

A series of adventures begins when an accident during photographing causes Buster to be mistaken for Dead Shot Dan, the evil badguy.

Directors:

, (as Mal St. Clair)
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Title: The Goat (1921)

The Goat (1921) on IMDb 7.8/10

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Cast

Complete credited cast:
...
The Goat
Virginia Fox ...
The Police Chief's Daughter
Joe Roberts ...
Police Chief
Malcolm St. Clair ...
Dead Shot Dan (as Mal St. Clair)
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Storyline

Buster is inadvertently identified as the notorious outlaw Dead Shot Dan. He is pursued throughout the city by the local police chief, using disguises and quick-thinking to elude the lawman. He encounters Virginia, a young lady friend, and goes to her home to visit and hide out, only to discover that Virginia's father is the police chief. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Comedy | Short

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Release Date:

15 May 1921 (USA)  »

Also Known As:

A Cabra  »

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Aspect Ratio:

1.33 : 1
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User Reviews

Dangerous Comedy Triggers
8 May 2006 | by (Virginia Beach) – See all my reviews

Frequent readers of my comments know that I believe movies can change you, can hurt or build. At least I make a pretty good case when it comes to heavy films. There are some very competent ones of these, "good" by many measures... that depending on how you are building yourself should be avoided.

But what about comedy? Shouldn't it just be taken as it comes? Isn't the whole idea about the flow?

Well, I know that some films make me laugh and later feel bad about it. And some amuse in different trivial ways, But when I think of funny, real funny that lasts, its gotta be the Marxes and this guy Keaton.

This humor is physical, but instead of pain, it is based on the unexpected. Cinematic surprise. And this movie, to my mind is one of his best because he relies less on his sad character and more on the movement of the thing.

Was this the first filmmaker who mastered it all, writing, directing, editing, acting?

The thing about this is how it builds and builds. The pacing of the episodes, for sure. That doesn't seem so remarkable today. But the pacing of the stunts within that framework is remarkable in how the energy is compounded: setup, burst and faster and faster with the trigger.

Its really something to see. And at the end, after you've seen it the first time and been surprised — and laughed, then you can wonder whether comedy can be as powerful as the other film experiences. Maybe so.

Ted's Evaluation -- 3 of 3: Worth watching.


4 of 6 people found this review helpful.  Was this review helpful to you?

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