The Four Horsemen of the Apocalypse (1921) 7.5
An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I. Director:Rex Ingram |
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The Four Horsemen of the Apocalypse (1921) 7.5
An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I. Director:Rex Ingram |
|
| 0Share... |
| Cast overview, first billed only: | |||
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Pomeroy Cannon | ... | |
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Josef Swickard | ... | |
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Bridgetta Clark | ... | |
| Rudolph Valentino | ... | ||
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Virginia Warwick | ... | |
| Alan Hale | ... | ||
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Mabel Van Buren | ... | |
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Stuart Holmes | ... |
Otto von Hartrott
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John St. Polis | ... |
Etienne Laurier
(as John Sainpolis)
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Alice Terry | ... | |
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Mark Fenton | ... |
Senator Lacour
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Derek Ghent | ... |
René Lacour
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Nigel De Brulier | ... |
Tchernoff
(as Nigel de Brulier)
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Bowditch M. Turner | ... |
Argensola
(as Brodwitch Turner)
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Edward Connelly | ... |
Lodgekeeper
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An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I.
I was fortunate enough to obtain a video of 'Four Horsemen ' recently and having read about it many years ago, I was intrigued to see whether it lived up to the legend. Considering it was made 80 years ago, I was quite astonished at the quality of this film, in terms of acting,direction and photography.To our modern eyes, the 'special effects'may,of course, seem a little quaint, but there is no denying that as an anti-war film, it stands alongside 'All Quiet on the Western Front' and 'Grande Illusion', and it has lost little of its power to move. The development of the character of Julio is a 'tour de force' of acting by Valentino and his celebrated tango in one of the murkier establishments of Buenos Aires realistically conveys the dissolute atmosphere of the cafe society of the period. My copy of the film was the tinted version with a (non-vocal) soundtrack added, which included tango music played by an apparently unsynchronised band ! To keen students of cinematic history, this film is a 'must-see'- indeed,I know of no contemporary films which comes close to matching it.