"Sixth Part of the World" was the size of Soviet Union of the time. Many peoples of many customs composed it. Ice and desert, forest and ocean. Bread, furs, machines. All and every is a part of great unity.
EROTIKON surely pushed the boundaries of what was acceptable on the screen in 1920: Irene, the bored wife of a distracted entomologist, pursues a womanizing aviator, but she may actually be... See full summary »
Allan has a hard time finding the Usher's house, which is known to be cursed... But he is a personal friend of Roderick Usher, who lives with his sick wife Madeline and a doctor. Roderick ... See full summary »
After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical ... See full summary »
The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, ... See full summary »
Nigel De Brulier
This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls,... See full summary »
Composer Enrid Damor knows nothing of the past life of his new wife Eve Dinant : she lived as a debauchee with an adventurer, Fred Ryce. Fred Ryce meets Damor's daughter, Claire, and tries ... See full summary »
An ethereal creature from a dream like only L'Herbier knew how to make at the time, painted with light and shadow. Elegant with motions, like a calligrapher's hand drawing from the beauty of enlightened heart. The man was one of the first visual masters of the medium, well above Murnau and the likes but sadly forgotten.
Yet a visual prowess, and this is what's so important for me, that understands the double perspective that gives shape and size to life around us, with the ability to restore it back in its proper dimensions. There, from outside the cabaret stage, the woman performing on stage for an indifferent world of organized cruelties, itself operating from behind the norm of social appearances. Here behind the stage, more pertinently for us, closer, the distraught mother tending to her sick child, seeking absolutions.
From our end we get to reconcile both sides of the mirror, soft inner life funneled into compromised performance for a public.
There is a painter involved, looking to capture evanescent beauty. At first she flees from him in the maze of Islamic architecture, but soon he finds her. As it turns out, love dawns on him from his painting the image of that beauty.
Eventually she has to let go a part of her heart to be mended again, and return to the mixed blessing of that stage where suffering can be sublimated into dance.
It is a small film but precious. It's recommended you seek it out.
6 of 9 people found this review helpful.
Was this review helpful to you?