One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to ... See full summary »
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Zvenigora stars Nikolai Nademsky (Earth), as the grandfather of Timoshka (Semyon Svashenko), whom he alerts to secret treasure buried in the mountains and the boy spends the rest of his ... See full synopsis »
Denis is distracted: he's studying all day for philosophy exams and working all night at the flower market; plus, whenever he closes his eyes, he dreams of a mysterious woman in white. His ... See full summary »
A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars very realistic ... See full summary »
Nolff, a tough Breton fisherman is happy: his wife has just given birth to a son, Michel. His only wish is to make him a fisherman like him. But when he becomes a man, Michel becomes a ... See full summary »
An ethereal creature from a dream like only L'Herbier knew how to make at the time, painted with light and shadow. Elegant with motions, like a calligrapher's hand drawing from the beauty of enlightened heart. The man was one of the first visual masters of the medium, well above Murnau and the likes but sadly forgotten.
Yet a visual prowess, and this is what's so important for me, that understands the double perspective that gives shape and size to life around us, with the ability to restore it back in its proper dimensions. There, from outside the cabaret stage, the woman performing on stage for an indifferent world of organized cruelties, itself operating from behind the norm of social appearances. Here behind the stage, more pertinently for us, closer, the distraught mother tending to her sick child, seeking absolutions.
From our end we get to reconcile both sides of the mirror, soft inner life funneled into compromised performance for a public.
There is a painter involved, looking to capture evanescent beauty. At first she flees from him in the maze of Islamic architecture, but soon he finds her. As it turns out, love dawns on him from his painting the image of that beauty.
Eventually she has to let go a part of her heart to be mended again, and return to the mixed blessing of that stage where suffering can be sublimated into dance.
It is a small film but precious. It's recommended you seek it out.
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