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Dream Street (1921) More at IMDbPro »


Overview

User Rating:
6.1/10   35 votes
MOVIEmeter: ?
Down 14% in popularity this week. See rank & trends on IMDbPro.
Director:
D.W. Griffith
Writers:
Thomas Burke (novel) and
D.W. Griffith (writer)
Contact:
View company contact information for Dream Street on IMDbPro.
Release Date:
12 April 1921 (USA) more
Genre:
Drama | Romance more
Plot:
Three men in London compete for the love of a dance-hall girl. | add synopsis
Plot Keywords:
User Comments:
Broken Nightmare more

Cast

  (Credited cast)
Carol Dempster ... Gypsy Fair
Charles Emmett Mack ... Billy McFadden
Ralph Graves ... James Spike McFadden
Edward Peil Sr. ... Swan Way
Tyrone Power Sr. ... Street Preacher (as Tyrone Power)
Morgan Wallace ... Masked Violinist
rest of cast listed alphabetically:
William J. Ferguson ... Gypsy's Father
George Neville ... Tom Chudder
Charles Slattery ... Police Inspector
Porter Strong ... Samuel Jones
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Additional Details

Runtime:
102 min | 136 min
Country:
USA
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Phono-Kinema (Kellum Phono-Kinema) | Silent

Fun Stuff

Trivia:
In addition to the prologue with director D.W. Griffith, two sound sequences on synchronized disc were added for showings in New York City: Ralph Graves singing a love song, and a second sequence with crowd noises during a craps game. more

FAQ

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8 out of 11 people found the following comment useful:-
Broken Nightmare, 7 May 2003
5/10
Author: boblipton from New York City

Griffith returns to the Limehouse author of BROKEN BLOSSOMS to poor effect. Two years earlier we had Lilian Gish, Richard Barthelmess and Donald Crisp acting out a small melodramatic tragedy on sheer acting chops that, even today, through muddy prints, works beautifully. This time, however, we are confronted with Carol Dempster, Charles Emmett Mack and Ralph Graves -- and if you say "Who?" three times like an owl, this movie shows you the incredible loss of acting talent that Griffith had suffered. Confronted with three actors who couldn't act -- the scene where Dempster is terrified that Graves will rape her is clearly a gloss on Gish's terror in the closet of two years ago and so inferior that it seems sacrilegious to mention them in the same sentence -- Griffith directed them with a collection of affectations to try to make up for a lack of emotions, and tried to give the entire piece some direction using a framing device of Good Vs. Evil. The total effect is ludicrous.

There are some good scenes, but the three principals don't appear in any of them. Give this one a miss.

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