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The Conquering Power (1921)

TV-G | | Drama, Romance | 8 July 1921 (USA)
After losing his father, a playboy moves in with his miserly uncle, who seeks to cheat him out of his inheritance.

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, (story "Eugénie Grandet")
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Cast

Cast overview:
...
...
...
Pere Grandet
...
Mere Grandet (as Edna Demaurey)
Bridgetta Clark ...
Madame des Grassins
Mark Fenton ...
Monsieur des Grassins
Ward Wing ...
Adolphe des Grassins
...
Victor Grandet
...
Notary Cruchot
George Atkinson ...
Bonfons Cruchot
Willard Lee Hall ...
Abbé Cruchot
Mary Hearn ...
Nanon
Eugene Pouyet ...
Cornoiller
Andrée Tourneur ...
Annette
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Storyline

Young playboy Charles Grandet is sent to live with his miserly uncle after his father loses his fortune. He and his cousin Eugenie fall in love, but his uncle sends him away and tries to arrange a marriage more to his liking (and profit!). Will true love triumph? Written by Robert Tonsing <rtonsing@ti.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-G
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Details

Country:

Release Date:

8 July 1921 (USA)  »

Also Known As:

Eugenie Grandet  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Victor Grandet: [in a letter read by his brother Pere Grandet] My dear brother, After twenty years, I am sending my son to you for by the time this letter reached you, I shall be no more. My entire fortune has been swept away by speculation on the stock market. I owe millions. In three days all Paris will say I was a rogue and I shall be wrapped in a winding sheet of infamy. My dying prayer is that you will be a father to my boy and may God bless you as you fulfill this trust. Your despairing brother, Victor ...
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Connections

Version of Eugenia Grandet (1953) See more »

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User Reviews

 
BALZAC and VALENTINO and INGRAM
5 December 1999 | by (Chicago, IL) – See all my reviews

As the immediate follow-up to his anti-war saga FOUR HORSEMEN OF THE APOCALYPSE, Rex Ingram presented this rendition of Balzac's EUGENIE GRANDET. The story is nominally updated to the flapper era, but most of it takes place in a provincial town where everyone wears 19th century costumes anyway. As in the earlier film, Rudolph Valentino is a playboy [ with a poodle] who must prove himself, but he appears to somewhat less advantage here. Once again, Alice Terry sensitively plays his designated love object, but in a more traditional ingenue role. Ingram does not always stage scenes effectively, but his films are distinguished by appealingly natural acting: even the obsession of old miser Grandet is never overplayed. In fact, the most striking scene shows the old man hallucinating personifications of his beloved gold, a sequence which may have influenced Ingram's friend and colleague Erich von Stroheim when he filmed GREED. Ingram's celebrated visual talent and John Seitz's cinematography are hard to judge in the dim, unrestored print available. This film lacks the spectacle of FOUR HORSEMEN, but still manages to suggest Balzac's sweep in portraying the complexity of human relations. The "conquering power," according to an introductory title, is Love.


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