The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the ... See full summary »
Peggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love ... See full summary »
Sally was an orphan who got her name from the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing and has been practicing since. ... See full summary »
John Francis Dillon
Joe E. Brown
A woman who owns a boarding house winds up being the "mother hen" to the assorted mobsters and racketeers who live there. When her foster son decides to take the blame for a murder that was... See full summary »
John Francis Dillon
Douglas Fairbanks Jr.,
Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be ... See full summary »
A hotshot race-car driver gets suspended, and winds up driving for a shady bus company. This causes problems with his girlfriend, who owns a rival--but much more reputable--bus company. To ... See full summary »
B. Reeves Eason
A young couple marries in secret. Judy's afraid her parents won't approve of Dick and she'll lose her generous allowance. Her parents bring her home from the city where she's been studying ... See full summary »
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and ... See full summary »
C. Aubrey Smith
In this romantic comedy, faded movie actress Laurine Lynne decides to take a trip to Europe rather than continue to be depressed by her lack of career momentum in Hollywood. She leaves a ... See full summary »
The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the Professor, businessman Olsen, has money and lots of food, while the Griggs have hardly any. Both Peter Olsen and Reverend Gates are taken by the beauty of young Amelia Griggs. When rich son Phil West falls for Amelia Griggs and befriends the poor Reverend Gates, he finally sees the difference in his life and theirs and tries to do something to change that. Written by
Tony Fontana <email@example.com>
Like most of the other reviewers, I found "The Blot" disappointingly slow and preachy, with some flaws in its dramatic structure. However, the film does have value as a study of 1920's social conflicts that people nowadays may not realize even existed. For example, the heroine's mother looks down upon her wealthier next-door neighbors because their money comes from selling shoes (while at the same time she steals from their garbage can to feed the pet cat she can't otherwise afford). How many people today think there is anything "low" about selling shoes? When a group of teenagers boisterously starts an impromptu jazz-piano-and-dance session in a living room, the message is that these kids are vulgar and out of control. But many parents in 2007 would get down on their knees in gratitude if their teenagers engaged in such innocent pastimes. If it wasn't for filmmakers like Lois Weber, such changes in popular opinion would go by unnoticed. In addition, the film does succeed in portraying some of the small heartbreaks of "genteel poverty" and neighborhood rivalry with genuine feeling. And aren't voters everywhere still arguing about whether teachers are fairly compensated for their work?
Wikipedia claims that "The Blot" is unusual for the time in its use of natural light and real locations.
According to film historians, Lois Weber was considered one of the best and most important directors in her day. The fact that modern viewers have trouble relating to the way she tells her stories is in itself evidence that times have changed in ways we might not yet understand. Just one of the many arguments for film preservation.
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