The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the ... See full summary »

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Cast

Complete credited cast:
Philip Hubbard ...
The Professor - Andrew Theodore Griggs
Margaret McWade ...
The Professor's Wife - Mrs. Griggs
...
The Professor's Daughter - Amelia Griggs
...
The Professor's Pupil - Phil West
Marie Walcamp ...
The Other Girl - Juanita Claredon
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Storyline

The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the Professor, businessman Olsen, has money and lots of food, while the Griggs have hardly any. Both Peter Olsen and Reverend Gates are taken by the beauty of young Amelia Griggs. When rich son Phil West falls for Amelia Griggs and befriends the poor Reverend Gates, he finally sees the difference in his life and theirs and tries to do something to change that. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

4 September 1921 (USA)  »

Also Known As:

What Happened Next Door  »

Company Credits

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Technical Specs

Runtime:

| (TCM print) | (restored-Thames Silents: Brownlow/Gill)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

This was the first film shown at the Ambassador Theater in West Philadelphia, PA. It had a three-day run. See more »

Goofs

When Juanita visits the library to see Amelia, she puts her hand on the railing twice. Between shots, she is holding her fur piece differently as well. See more »

Quotes

The Professor's Pupil - Phil West: Oh, forget it! Don't let's get soft just because the old fossil has a pretty daughter.
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Connections

Referenced in Women Who Made the Movies (1992) See more »

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User Reviews

For an intellectual analysis of this film, see the following...
30 March 2002 | by (Canada) – See all my reviews

For an intellectual analysis, see Jennifer Parchesky's article "Lois Weber's The Blot: Rewriting Melodrama, Reproducing the Middle Class" in Cinema Journal 39.1 (1999) 23-53 [University of Texas Press].

Through an examination of social conditions during the 1920s, Parchesky defines the ethos, pathos & logos that Lois Weber most likely deduced in the writing and directing the film, the Blot.


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