The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the ... See full summary »
Socialite Anatol Spencer seeks a better relation that he has with his wife. He sets up the friend of his youth Emilie in an apartment only to have her two-time him. He comforts the near ... See full summary »
Wlliam deMille produced and directed Miss Lulu Bett, a film of extraordinary conviction and insight. It was then often the custom for unmarried women to lodge with family; thus we discover ... See full summary »
William C. de Mille
Robert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to ... See full summary »
Cecil B. DeMille
Howard is infected with leprosy, Mac Allen was captured by the Maharadsha, and now the Maharadsha offers Irene a deal: one night for letting healing Howard. She accepts, but when she tries ... See full summary »
An isolated house in deserted area is too remote for a servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Alone in the house is a mother and her infant... See full summary »
The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the Professor, businessman Olsen, has money and lots of food, while the Griggs have hardly any. Both Peter Olsen and Reverend Gates are taken by the beauty of young Amelia Griggs. When rich son Phil West falls for Amelia Griggs and befriends the poor Reverend Gates, he finally sees the difference in his life and theirs and tries to do something to change that. Written by
Tony Fontana <firstname.lastname@example.org>
For an intellectual analysis of this film, see the following...
For an intellectual analysis, see Jennifer Parchesky's article "Lois Weber's The Blot: Rewriting Melodrama, Reproducing the Middle Class" in Cinema Journal 39.1 (1999) 23-53 [University of Texas Press].
Through an examination of social conditions during the 1920s, Parchesky defines the ethos, pathos & logos that Lois Weber most likely deduced in the writing and directing the film, the Blot.
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