Naive Ezekial Cobb, brought up by his missionary father in China returns to America to seek a wife. Corrupt politicians enlist him to run for mayor as a dummy candidate with no chance of ... See full summary »
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his ... See full summary »
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
After a wild bachelor party, our hero finds himself aboard a sailing vessel where he encounters numerous adventures. In a dream sequence, he fantasizes that the ship is seized by a band of female pirates.
Mrs. O'Brien is eager to be accepted as part of high society, and she is hosting a fox hunt as part of her plans. Her husband and daughter, though, have no interest in society affairs. Mrs. O'Brien wants to invite Lord Abernathy to the hunt, and she mentions this to the 'society pilot' who is advising her. But this woman and a confederate are merely using Mrs. O'Brien and the hunt for their own purposes. When Lord Abernathy is unavailable, they convince an ambitious young man to impersonate him, so that they can proceed with their scheme. Written by
This Harold Lloyd comedy has a good combination of slapstick and satire. It also features Lloyd experimenting with Chaplin-style material, as his character impersonates an English lord as part of a parody on the idle rich. On the production end, Fred C. Newmeyer, Hal Roach, and Sam Taylor put together a good story with plenty of laughs and a good pace.
After the other main characters have been introduced, Lloyd's character makes a clever entrance. He plays the kind of eager-to-succeed young man that he later went on to portray in some of his finest full-length movies, and this character is brought into the world of a family run by an equally ambitious matriarch. There is nothing subtle about the characters, and the amusing title cards also add some extra sarcasm to the portrayal of the upper classes.
Although this is the kind of setup that Chaplin was particularly known for, Lloyd and company give it a different feel that works well. The story moves smoothly from one zany situation to the next, and there is a good combination of comedy material, with sight gags blended together with the slapstick and with Lloyd's occasional feats of athleticism. It makes for an enjoyable movie that gives Lloyd plenty of material to work with.
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