| Photos (See all 18 | slideshow) |
| Lillian Gish | ... | Anna Moore | |
| Josephine Bernard | ... | Mrs. Emma Tremont | |
| Mrs. Morgan Belmont | ... | Diana Tremont | |
| Lowell Sherman | ... | Lennox Sanderson | |
| Burr McIntosh | ... | Squire Bartlett | |
| Richard Barthelmess | ... | David Bartlett | |
| Kate Bruce | ... | Mrs. Bartlett | |
| George Neville | ... | Constable Rube Whipple | |
| Porter Strong | ... | Seth Holcomb | |
| Vivia Ogden | ... | Martha Perkins | |
| Edgar Nelson | ... | Hi Holler | |
| Mary Hay | ... | Kate Brewster - the Squire's Niece | |
| Creighton Hale | ... | Professor Sterling | |
| Emily Fitzroy | ... | Maria Poole - Landlady | |
| rest of cast listed alphabetically: | |||
| Louise Lawson II | ... | Bit Player | |
| Carol Dempster | ... | Barn Dancer (uncredited) | |
| Patricia Fruen | ... | Diana's Sister (uncredited) | |
| Mrs. David Landau | ... | Anna Moore's Mother (uncredited) | |
| Athole Shearer | ... | Barn Dancer (uncredited) | |
| Edith Shearer | ... | Barn Dancer (uncredited) | |
| Norma Shearer | ... | Barn Dancer (uncredited) | |
| Florence Short | ... | The Eccentric Aunt (uncredited) | |
| Frank Walsh | ... | Barn Dancer (uncredited) | |
Directed by | |||
| D.W. Griffith | |||
Writing credits | ||
| Lottie Blair Parker | (from the play by) | |
| William A. Brady | (play) (as Wm. A. Brady) | |
| Joseph R. Grismer | (elaborated by) (as Jos. R. Grismer) | |
| Anthony Paul Kelly | (scenario) | |
| D.W. Griffith | uncredited | |
Produced by | |||
| D.W. Griffith | .... | producer (uncredited) | |
Original Music by | |||
| William Frederick Peters | (musical accompaniment) (uncredited) | ||
| Louis Silvers | (musical accompaniment) (uncredited) | ||
Cinematography by | |||
| Paul H. Allen | (uncredited) | ||
| G.W. Bitzer | (camera) (uncredited) | ||
| Charles Downs | (uncredited) | ||
| Hendrik Sartov | (uncredited) | ||
Film Editing by | |||
| James Smith | (uncredited) | ||
| Rose Smith | (uncredited) | ||
Art Direction by | |||
| Clifford Pember | (uncredited) | ||
| Charles O. Seessel | (uncredited) | ||
Costume Design by | |||
| Henri Bendel | (uncredited) | ||
| O'Kane Cornwell | (uncredited) | ||
| Lady Duff Gordon | (uncredited) | ||
| Otto Kahn | (uncredited) | ||
| Madame Lisette | (gowns: Lillian Gish) (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Elmer Clifton | .... | second unit director (uncredited) | |
| Herbert Sutch | .... | assistant director (uncredited) | |
| Frank Walsh | .... | assistant director (uncredited) | |
Art Department | |||
| Clark Robinson | .... | set builder (uncredited) | |
Stunts | |||
| Elmer Clifton | .... | stunt double: long shots of Lillian Gish on ice floe (uncredited) | |
| Allan Law | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Paul H. Allen | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Lady Duff Gordon | .... | costume designer: gowns in prologue (uncredited) | |
Other crew | |||
| Elmer Clifton | .... | associate director (uncredited) | |
| Elmer Clifton | .... | photo double: Richard Barthalmes (uncredited) | |
| Victor Georg | .... | art titles (uncredited) | |
| D.W. Griffith | .... | presenter (uncredited) | |
| Katherine Johnston | .... | photo double: Lillian Gish (uncredited) | |
| Una Merkel | .... | stand-in: Lillian Gish (uncredited) | |
| Leigh Smith | .... | production assistant (uncredited) | |
| Frank Wortman | .... | technical director (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
As Gish once said, ".......Silent movies were well on their way to developing an entirely new art form. It was not just pantomime, but something wonderfully expressive." It is that expressive ability, which in Talking Movies and still today, more than any other characteristic, defines the success of an actor or actress. As it was back then referred to as "The Look", this ability was Gish's trademark, and has never been done better by anyone. In Way Down East, she set the benchmark for this ability. In my opinion, the best work of her career. If you haven't seen it, do, and you'll wonder who in screen history can rival "Her Look".