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Gabriel de Gravone
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
The callous rich, portrayed by Lennox, think only of their own pleasure. Anna is but a poor country girl whom Lennox tricks into a fake wedding. She believes that it is true, but secret, while he has his way with her. When she is pregnant, he leaves her and she must have the baby, named Trust Lennox, on her own. When the baby dies she wanders until she gets a job with Squire Bartlett. David falls for her, but she rejects him due to her past and then Lennox shows up lusting for Kate. Seeing Anna, he tries to get her to leave, but she doesn't, and she tells no one about his past. When Squire Bartlett learns of her past from Martha, the town gossip, he tosses Anna out in a snow storm. But before she goes, she fingers the respected Lennox, as the father of her dead baby and the spoiler of herself. Written by
Tony Fontana <email@example.com>
Clarine Seymour, a regular player in D.W. Griffith's films at that time, was originally cast in the role of Kate, Squire Bartlett's niece and David Bartlett's fiancée. Seymour had actually completed most of her scenes when she fell ill from a strangulated intestine. She died on April 25, 1920, following emergency surgery. Griffith replaced Seymour in the role with dancer Mary Hay, who resembled Seymour in long shots. Although David Bartlett does not marry Kate in "Way Down East", Richard Barthelmess, who played David, later married Mary Hay. See more »
"Way Down East" will probably be a hard pill for many filmgoers to swallow, as it's a silent and very long, but I would recommend you give it a try, as it's also pretty entertaining.
Lillian Gish gets put through her melodramatic paces by the granddaddy of modern cinema, D.W. Griffith. Griffith was a master at building his movies up to intolerably exciting finales, and this film is no exception. A classic set piece puts Gish trying to escape across a frozen river, jumping from one drifting block of ice to the next. And consider that this was in the day before special effects, and it's even quite possible that Gish did all of the stunts herself.
A slice of early cinema that goes down easily if you give it the chance.
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