Susie, a plain young country girl, secretly loves a neighbor boy, William. She believes in him and sacrifices much of her own happiness to promote his own ambitions, all without his ... See full summary »
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
John Logan leaves his parents and sweetheart in bucolic Happy Valley to make his fortune in the city. Those he left behind become miserable and beleaguered in his absence, but after several... See full summary »
Lydia Yeamans Titus,
The callous rich, portrayed by Lennox, think only of their own pleasure. Anna is but a poor country girl whom Lennox tricks into a fake wedding. She believes that it is true, but secret, while he has his way with her. When she is pregnant, he leaves her and she must have the baby, named Trust Lennox, on her own. When the baby dies she wanders until she gets a job with Squire Bartlett. David falls for her, but she rejects him due to her past and then Lennox shows up lusting for Kate. Seeing Anna, he tries to get her to leave, but she doesn't, and she tells no one about his past. When Squire Bartlett learns of her past from Martha, the town gossip, he tosses Anna out in a snow storm. But before she goes, she fingers the respected Lennox, as the father of her dead baby and the spoiler of herself. Written by
Tony Fontana <email@example.com>
The ice floes seen at the climax drifting above and going over the waterfall were actually wood constructions, as the scene was shot out of season. The waterfall itself was only a few feet high, going no further down than what is seen at the bottom of the film frame. See more »
This man, an honored guest at your table, why don't you find out what HIS life has been?
See more »
A young woman, after being lured into a false marriage, finds the chance for happiness on a friendly farm WAY DOWN EAST.
David Wark Griffith, the Father of American Cinema, had his last great financial blockbuster with this highly sentimentalized silent melodrama. Always anxious to promote decency & morality with his epic films, Griffith here exposes & castigates male brutality against the weaker female, making this a stark portrayal of Good versus Evil as he follows the fortunes and misfortunes of his long-suffering heroine.
Bird-like & fragile, Lillian Gish takes the brunt of the plot upon her young shoulders. To say that she performs magnificently is only to state the expected. The wealth of emotions stealing across her lovely face give expression to her every thought, as her character struggles to maintain her equilibrium against the onslaughts hurled against her.
Richard Barthelmess portrays the quietly heroic farm lad who becomes paladin for Miss Gish during her tribulations while abiding in his home. His stalwart decency is in strong contrast to the villainy of Lowell Sherman, the rich roué whose misdeeds nearly destroy Lillian.
Griffith's broad canvas allows for detailed portraits by a fine supporting cast: a pharisaical squire (Burr McIntosh), his saintly wife (Kate Bruce), a butterfly-chasing professor (Creighton Hale), a dour landlady (Emily Fitzroy), a lazy, good-natured constable (George Neville), a jolly, oafish farmhand (Edgar Nelson), and a gossiping spinster (Vivia Ogden).
The film climaxes with one of the most famous sequences in all of Silent Cinema: Barthelmess' rescue of Miss Gish as she lies unconscious on an ice floe, speeding towards a tremendous waterfall. Filmed on Long Island in the dead of Winter, the performers were in real peril. These scenes still pack a punch and are worthy testimony to Griffith's genius.
Special mention should be made of the cinematography of G. W. Bitzer, Griffith's invaluable cameraman. His beautiful photography softly illumines both the tender scenes and the bucolic vistas, giving them the quality of aged snapshots in a cherished family album.
6 of 7 people found this review helpful.
Was this review helpful to you?