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Sumurun (1920)

6.2
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Ratings: 6.2/10 from 353 users  
Reviews: 10 user | 11 critic

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

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(pantomime), (scenario), 2 more credits »
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Title: Sumurun (1920)

Sumurun (1920) on IMDb 6.2/10

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Edit

Cast

Complete credited cast:
...
Yeggar - the Hunchback
...
Yannaia - a Dancer
...
Der alte Scheich
Jenny Hasselqvist ...
Sumurun
Aud Egede-Nissen ...
Haidee
Harry Liedtke ...
Nur-Al Din
Carl Clewing ...
Der junge Scheich
Margarete Kupfer ...
Alte Frau
Jakob Tiedtke ...
Head Eunuch
Max Kronert ...
Muffti, 1st Servant of Nur-al-Djin
Paul Biensfeldt ...
Achmed, the Slave Trader
Paul Graetz ...
Pufti, 2nd Servant of Nur-al-Djin
Edit

Storyline

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant, which puts her life in terrible danger. Luckily, she is beloved of the rest of the harem, which conspires to bring the true lovers together, while distracting the prying eyes of the eunuchs who serve as palace guards. Meanwhile, a traveling dancer is eager to become part of the harem, much to the despair of the hunchback clown who is in love with her. Written by J. Spurlin

Plot Summary | Add Synopsis

Plot Keywords:

harem | hunchback | dancer | slave | sheik | See All (59) »

Taglines:

Thousands of people - a wonder city is re-created - the master-work of Lubitsch, director of "Passion" (191 One Arabian Night poster) See more »


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Details

Country:

Language:

Release Date:

25 September 1921 (USA)  »

Also Known As:

One Arabian Night  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(Kino Print)

Sound Mix:

Color:

(tinted)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Connections

Referenced in Der Kinoerzähler (1993) See more »

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User Reviews

 
A Lot of Lubitsch Goes a Long Way Astray!
23 April 2008 | by See all my reviews

Disappointing. The chief problem, as Lubitsch was quick to acknowledge, is Lubitsch. His exaggerated, hammy acting is one that Lubitsch the director would never have permitted any of his players. In fact, he was so unhappy with his over-the-top histrionics that he vowed never to act again.

Admittedly, there are a few other major faults. All the characters are one-dimensional and the story tends to drag, especially in the comedy relief sequences provided by camera-hoggers Kronert and Graetz, who are just awful. Margarete Kupfer's repulsive old hag is also over-indulged.

On the other hand, the film does provide an almost equal number of pleasures. not only in its exotic sets and cinematography, but in the alluring presence of Pola Negri, who receives excellent support from Paul Wegener who cleverly underplays his ruthless, self-indulgent sheik and thus makes him a really terrifying figure.

And for lessons in how to play comic relief with style, I nominate Jakob Tiedtke and Paul Biensfeldt, who both do amusing wonders with seemingly impossible characters. A slave trader, a comic figure? But that's how Biensfeldt plays this despicable little heap of slime--and it works!


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