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Suds (1920)

6.7
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Ratings: 6.7/10 from 141 users  
Reviews: 8 user | 2 critic

A London laundry woman tries to rise above her station in order to capture the love of a wealthy young man and thus misses out on the truer love of one of her own class.

Director:

(as Jack Dillon)

Writers:

(scenario), (play), 1 more credit »
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Title: Suds (1920)

Suds (1920) on IMDb 6.7/10

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Cast

Cast overview:
...
Amanda Afflick
Albert Austin ...
Horace Greensmith
Harold Goodwin ...
Benjamin Pillsbury Jones
Rose Dione ...
Madame Jeanne Gallifilet Didier (as Rosa Dione)
Darwin Karr ...
The Archduke
Lavendor the Horse ...
Ex polo pony
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Storyline

A London laundry girl tries to rise above her station in order to capture the love of a wealthy young man, and thus misses out on the truer love of one of her own class. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

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Details

Country:

Language:

Release Date:

27 January 1920 (USA)  »

Also Known As:

Op O' Me Thumb  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Connections

Edited into The American Experience: Mary Pickford (2005) See more »

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User Reviews

 
Actually, One of My Faves
27 December 2006 | by (porltand, or) – See all my reviews

Okay, so I've checking message boards and after seeing pretty much all of the Mary Pickford films one can get on video-which is just a small percentage-I have to say Suds is one of my favorites. It's really goofy, and yeah, a little uneven, but in a way that's it's charm. It has some real goofy charm, I like that Pickford plays a total screw-up. Most of her intentions are good, but she's also a liar, she's a very dynamic person. Often I get bored of Mary Pickford films because she would get stuck playing one-note characters. Amanda is an interesting character because she's such a dork. It's a little sad because seeing odd but charming choices she makes as Amanda, such as the scene where she can't stop scratching the itch on her arm, or the scene where she stitches a portrait of guy she likes into his own shirt show that while she got more opportunities than most women of her time if things had been different she may have been female Charline and not a footnote in cinema history-a title she doesn't deserve anyway. it's a good film.


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