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Edward Jobson | ... |
Reverend Murray Hilton
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Beulah Booker | ... |
Agnes Gates
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Edward Connelly | ... |
Mr. Musgrave
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Edward Alexander | ... |
Watson Flint
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Irving Cummings | ... |
Mark Turner
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Odette Taylor | ... |
Mrs. Cornelia Opdyke
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Carol Holloway | ... |
Rose Turner
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Jack Livingston | ... |
Dr. George Wainright
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William H. Crane | ... |
Nicholas Van Alstyne
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| Buster Keaton | ... |
Bertie Van Alstyne
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Nick Van Alstyne owns the Henrietta silver mine and is very rich. His son Bertie is naive and spoiled. His daughter Rose is married to shady investor Mark. Mark wrecks Bertie's wedding plans by making him take the blame for Mark's illegitimate daughter. Mark also nearly ruins the family business by selling off Henrietta stock at too low a price. Bertie, of all people, must come to the rescue on the trading floor. Written by Ed Stephan <stephan@cc.wwu.edu>
A bit old fashioned for today's standards this little gem manages to hold our interest for the very young but very talented comic genius Keaton. Before he would go on writing and/or directing his greatest movie Keaton acted in this role of the multimillionaire son of a Wall-Street broker, unprepared to meet the demands of the world but very good natured on the other hand. One of the first images that made me laugh was when we see his picture in which he appears as utterly confused of what's going on before him. What I always appreciated at Keaton was his talent to appear completely out of tune with the world surrounding him. For the rest of the world he seems "goofy" but it is seen at close analysis that it may be the world that is paradoxical and confused and so Buster's reaction to it seems justified.
The cinematography and direction are nothing special and the story is just another nice and sweet romance with a touch of humor that was very common in the twenties. The best part of the movie is, arguably, the last twenty minutes or so when Keaton, who bought a seat on the floor with 100 thousand $ because "furniture is expensive nowadays", battles the lions on Wall-Street literally. This is a great episode, anticipation of great things to come with its use of physical humor and slapstick as metaphors for deeper ideas.