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Sand (1920) More at IMDbPro »

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Sand -- A cinematic classic from 1920.


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Release Date:
20 June 1920 (USA) See more »
Railroad station agent Dan Kurrie is fired from his job by his rival in love, Joseph Garber. Believed false by the girl he loves... See more » | Add synopsis »
User Reviews:
A New Contract See more (3 total) »


  (in credits order) (complete, awaiting verification)

William S. Hart ... Dan Kurrie
Mary Thurman ... Margaret Young
G. Raymond Nye ... Joseph Garber
Patricia Palmer ... Josie Kirkwood
Bill Patton ... Pete Beckett (as William Patton)
S.J. Bingham ... Superintendent Trapp (as Captain S.J. Bingham)
rest of cast listed alphabetically:
Hugh Jackson ... Pop Young (uncredited)
Lon Poff ... Jim Kirkwood (uncredited)

Directed by
Lambert Hillyer 
Writing credits
(in alphabetical order)
Russell A. Boggs  story "Dan Kurrie's Inning"
Lambert Hillyer 

Produced by
William S. Hart .... producer
Cinematography by
Joseph H. August  (as Joe August)
Dwight Warren 
Film Editing by
LeRoy Stone 
Art Direction by
Thomas A. Brierley 
Art Department
Ralph Warren .... art titles

Production CompaniesDistributors

Additional Details

Also Known As:
USA:50 min
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

On this film, cinematographer Joseph H. August became the first person to have "ASC" (American Society of Cinematographers, of which he was an original member) listed after his name in an onscreen credit.See more »


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3 out of 3 people found the following review useful.
A New Contract, 15 December 2008
Author: boblipton from New York City

When Chaplin, Fairbanks, Pickford and Griffith were setting up United Artists in 1919, William S. Hart almost went along with them. But Paramount offered him a brand new contract, and he stayed with them..... and found the studio sabotaging him almost from the beginning of the new contract. He wanted to get away from his standard cowboy story and came up with this railroad story. They shelved it, got him to do something more usual, and then demanded a new ending for this movie. This was not unusual for Paramount. They invented block booking, and worked their stars very hard -- in one or two cases, to death: Wallace Reid, for example.

So, what is the net result for this William S. Hart programmer? It's an excellent piece. You get a lot more close-ups of Hart than usual, as he tones down his usually broad characterizations except when he is dealing with the fact that he has lost the girl he loves. There's a lot more stillness in his acting than usual, and, if takes a good long while before his cameraman, Joe August, gets to show us some good scenery and action, well, the story of conflict between old and new, of sense and compassion, love and honorable behavior is a well told tale, like all the Hart movies I have seen.

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