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The Round-Up (1920) More at IMDbPro »


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Overview

User Rating:
8.5/10   14 votes
MOVIEmeter: ?
Down 9% in popularity this week. See why on IMDbPro.
Director:
Writers:
Edmund Day (play)
Tom Forman (scenario)
Release Date:
10 October 1920 (USA) more
Genre:
Tagline:
Nobody loves a fat man.
Plot Keywords:
User Comments:
Moving Into Features more (2 total)

Cast

  (Credited cast)

Roscoe 'Fatty' Arbuckle ... Slim Hoover
Mabel Julienne Scott ... Echo Allen
Irving Cummings ... Dick Lane
Tom Forman ... Jack Payson
Jean Acker ... Polly Hope
Edward P. Sullivan ... Bud Lane

Wallace Beery ... Buck McKee
Guy Oliver ... Uncle Jim
Jane Wolfe ... Josephine
Fred Huntley ... Sagebrush Charlie
George Kuwa ... Chinese boy
Lucien Littlefield ... Parenthesis
rest of cast listed alphabetically:
Molly Malone
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Additional Details

Country:
Sound Mix:

Fun Stuff

Trivia:
After over ten years in the movie business making comedy shorts, Roscoe 'Fatty' Arbuckle finally went over to features with this movie. more
Movie Connections:
Remade as The Roundup (1941) more

FAQ

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5 out of 5 people found the following comment useful.
Moving Into Features, 23 April 2006
8/10
Author: boblipton from New York City

So Joe Schenck cut a great deal with Paramount to get Arbuckle into features. And as long as they were paying him an amazing sum of money, they gave him a role in this western until they could get a comedy vehicle ready for him. Paramount got its money's worth out of its stars by putting them in a LOT of movies.

Roscoe is pretty good in a largely straight role here. It's a supporting role in the midst of eight or nine major plots, but built up a bit because Arbuckle is the biggest star here. He gets to do his signature cigarette-rolling gag. If you've never seen it, look for it.

But what makes this movie a joy is that director George Melford was a great stylist and knew where to tell his cameramen to point the camera: keep the mountains in the picture, that's an amazing bunch of rocks, and so on. And, frankly, the print I saw, from the Library of Congress, is a wonderful print: plenty of silver in the print, no scratches and just enough granularity to make the stars shimmer. It's the most beautiful black-and-white print I've seen in at least 15 years. If you get a chance to see it, take it. When someone says "they don't make 'em like that anymore" sometimes they're referring to the actual piece of film.

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