An unimpressive but well intending man is given the chance to marry a popular actress, of whom he has been a hopeless fan. But what he doesn't realize is that he is being used to make the actress' old flame jealous.
A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars very realistic ... See full summary »
Buster and Sybil exit a chapel as newlyweds. Among the gifts is a portable house you easily put together in one week. It doesn't help that Buster's rival for Sybil switches the numbers on the crates containing the house parts. Written by
Ed Stephan <email@example.com>
The first Keaton 2 reeler to be released (he had already made 'the High Sign' but, considered it to weak to be his debut solo effort). 'One Week' is a gem of a movie. Newly weds, Buster and Sybil are given a house and plot of land by an Aunt and Uncle, however, Handy Hank, who lost out to Buster for Sybil's hand in marriage, sabotages the pre fab house by changing the numbers on the boxes, the result is the oddest looking house, however to the newly weds it's home. Various mishaps occur, especially when they have relations over for a house warming. The film climaxes with one of the best double crosses in movies, I hate to spoil films by telling people the ending, just watch it for yourself and enjoy. Just to clear something up, Keaton did not break both arms doing a stunt in this movie, as written by an earlier reviewer, although he did get injured doing a stunt causing swelling to his back and arms. However he did suffer a broken ankle filming 'The Electric House' and broke his neck, which went undiagnosed for 13 years, this was always blamed on a stunt in 'Sherlock jr' Keaton is the king of the silent comedies, his movies from his golden period of film making stand the test of time, the humour is fresh and innovated, his stunts, which everyone knows he did himself are breathtaking and he shows an aptitude for the art of film making that places him among the greatest ever. His decline after losing his independence is tragic, both for him and movie fans as we are left to wonder what he could have achieved if he's been allowed by MGM to make the movies he was capable of, our only consolation is the treasures he did leave behind.
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