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One Week (1920)

TV-G  |   |  Short, Comedy  |  1 September 1920 (USA)
8.2
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Ratings: 8.2/10 from 3,796 users  
Reviews: 26 user | 10 critic

A newly wedded couple attempt to build a house with a prefabricated kit, unaware that a rival sabotaged the kit's component numbering.

Directors:

(uncredited) , (uncredited)
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Title: One Week (1920)

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Cast

Complete credited cast:
...
The Groom
Sybil Seely ...
The Bride
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Storyline

Buster and Sybil exit a chapel as newlyweds. Among the gifts is a portable house you easily put together in one week. It doesn't help that Buster's rival for Sybil switches the numbers on the crates containing the house parts. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Short | Comedy

Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 September 1920 (USA)  »

Also Known As:

Uma Semana  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(TCM Print) | (1995 Film Preservation print)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

This was Buster Keaton's first film appearance without Roscoe 'Fatty' Arbuckle. See more »

Goofs

The piano changes between when it is delivered (flat back) and when Buster tires to bring it into the house (typical uptight piano back). See more »

Connections

Featured in Den gamle biograf: Episode #1.7 (2011) See more »

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User Reviews

 
Buster and his new wife get a new house, but it comes in box, comic chaos follows
2 February 2005 | by (United States) – See all my reviews

Keaton was now out on his own, no longer working with Fatty Arbuckel. 'One Week'was his first independent film. Joseph Schneck produced the film, having done work on the Fatty and Keaton shorts. The team of Buster Keaton and Eddi Cline directed and did script work as would follow in most of Keaton's other shorts. 'One Week' is definitive of Buster Keaton's style. It is purely gag over narrative. Keaton's performance is more important than the story, and that was pretty much how all his later movies worked. Keaton also enjoyed capturing the world around him as it happened. His stunts in this movie did not rely on editing. The house really did turn, the train sequence was real. This was a good beginning to what followed.


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