While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
After numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (... See full summary »
Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
The young couple have decided to marry and it is time to ask the father for the hand of his daughter. Problem is, the father does not want to give the daughter away. So every time he goes ... See full summary »
Harold is spending the day at the amusement park, unfulfilled and alone. He thinks his day has the possibility of looking up when he spots Mildred, the girl of his dreams, on a date at the park with Roy. Harold thinks he can take Mildred away from Roy. Harold does whatever he can to impress Mildred, while putting Roy in a bad light. Ultimately, Mildred, who has two tickets for a romantic hot air balloon ride, says that she will take that ride with whoever can get the approval from her mother to do so first. Harold gets into one misadventure after another in the entire process, which includes being in possession of a stolen purse, which he is unaware belongs to Mildred and which contains the two tickets. Written by
Harold Lloyd wore gloves, with the right one modified to disguise his maimed hand. The gloves are visible in medium shots. But in two different close-ups, Harold's character isn't wearing gloves. See more »
This is a very good short comedy, with some good material and a fine job by Harold Lloyd as one of his slightly amoral but still sympathetic characters. Lloyd was as good as anyone was at taking a simple situation and building it up with as much comic material as he could fit into it without going too far. The telephone booth sequence here is a great example, and it is as impressive in its creativity as it is enjoyable to watch. The rest of "Number, Please" also works pretty well, and while there isn't much of a story to speak of, Lloyd is creative enough that you barely notice. Lloyd's style works well in this one, and it's a very entertaining feature.
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