The Golem (1920) - News Poster



Dr. Mabuse The Gambler

He's back and more diabolically ruthless than ever! Berlin cowers under the influence of a gambler-mastermind, the secret architect of an 'Empire of Crime.' Restored to near its full length (4.5 hours!), Fritz Lang's monumental pulp masterpiece is a Euro-classic lover's delight. Dr. Mabuse The Gambler Blu-ray Kino Lorber Classics 1922 / B&W / 1:33 flat Full Frame / 270 min. / Street Date September 13, 2016 / available through Kino Lorber / 29.95 Starring Rudolf Klein-Rogge, Alfred Abel, Aud Egede Nissen, Gertrude Welcker, Bernhard Goetzke, Robert Forster-Larrinaga, Paul Richter Cinematography Carl Hoffmann Art Direction Otto Hunte, Erich Kettelhut, Karl Stahl-Urach, Karl Vollbrecht Writing credits Fritz Lang, Thea von Harbou & Norbert Jacques from the novel by Norbert Jacques Produced by Erich Pommer Directed by Fritz Lang

Reviewed by Glenn Erickson

Fritz Lang really upped his game, directing-wise, between his 1921 fantasy epic Destiny and his next thriller extravaganza Dr. Mabuse The Gambler. Transcending contemporary notions of a popular release, the
See full article at Trailers from Hell »

Review: "I Love Lucy- The Complete Series" DVD Boxed Set

  • CinemaRetro
Review by Adrian Smith

When I Love Lucy debuted on American television in 1951, nobody could have suspected that it would become one of the most beloved shows of all time. Across six seasons Lucille Ball and her real-life husband, Cuban band leader Desi Arnaz, shared their lives with millions. At the time it was the most watched show in the United States, and undoubtedly helped fuel TV set sales during the decade. It has also been repeated constantly since, and sold around the world. Now, almost sixty years since the final episode, it is possible to go back and view it all from the beginning.

Keeping their own names helped further blur the line between the show and reality in the minds of the audience, and watching Desi and Lucy every week felt like you were spending time with real friends. For the most part the situations played out in
See full article at CinemaRetro »

Karloff Enters! The Black Cat (1934)

By 1934 Boris Karloff was certainly no stranger to great movie entrances. In 1931, under the direction of James Whale, he seared his image, and that of the monstrous creation of Dr. Henry Frankenstein, into the collective consciousness by shuffling on screen and staring down his creator, and of course the terrified audience, embodying and fulfilling unspeakable nightmares. Frankenstein, an instant phenomenon, was one of 16 pictures Karloff made that were released in 1931.

And in the following year, 1932, in addition of Howard HawksScarface, Whale’s The Old Dark House and Charles Brabin’s The Mask of Fu Manchu, Karloff had another terrifying entrance in cinematographer-turned-director Karl Freund’s horror landmark The Mummy. As the title fiend, Imhotep, Karloff is first glimpsed in full bandage, sarcophagus laid open behind an unfortunate archaeologist who, engrossed in the parchments he’s discovered, doesn’t notice the mummy’s arm slide down from its bound position.
See full article at Trailers from Hell »

11 years ago today: The first ‘Saw’ film opened in theaters

  • Hitfix
11 years ago today: The first ‘Saw’ film opened in theaters
11 years ago today, “Saw” opened in theaters, shocking audiences with its grotesque violence and securing director James Wan's place in the Splat Pack. The Halloween season theatrical release followed a January 2004 premiere at the Sundance Film Festival. Starring Cary Elwes (“The Princess Bride”), the film was a game-changer, opening up the elevator floodgates to gallons of blood that would pour out from a new level of extremely gory horror movies. A huge box office success, “Saw” has made over $103 million off of a reported $1.2 million budget. Six sequels continued the legacy of the sadistic madman Jigsaw. “Saw” was Wan's feature directorial debut. The Australian filmmaker went on to direct “Insidious,” “The Conjuring” and “Furious 7.” He’s also directing the 2018 movie based on the DC Comics character Aquaman. “Saw,” “Insidious” and “The Conjuring” all are on the Top 200 in HitFix’s Ultimate Horror Poll, for which we polled over
See full article at Hitfix »

Alraune (1952)

There's one ironclad rule for mad scientist movies:  if you show a monstrous caged ape-creature in the first act, that ape-creature must absolutely break loose and wreak havoc before the end of Act III.  Just ask George Zucco or John Carradine, they'll tell you. It makes no difference if the film is being made on Gower Gulch, or at Germany's prestigious UfA Studios. Alraune Region 2 Pal (Germany) DVD Arthaus 1952 / B&W / 1:37 flat Academy / 87 min. / Unnatural, Mandragore, Vengeance / Street Date July 6, 2007 / Available at / Eur 16,90 Starring Hildegard Knef, Erich von Stroheim, Karlheinz Böhm, Harry Meyen, Rolf Henniger, Harry Halm, Hans Cossy, Gardy Brombacher, Trude Hesterberg, Julia Koschka, Denise Vernac. Cinematography Friedl Behn-Grund Film Editor Doris Zeitman Costume Designer Herbert Pioberger Original Music Werner R. Heymann Written by Kurt Heuser from the novel by Hanns Heinz Ewers Produced by Günther Stapenhorst Directed by Arthur Maria Rabenault

Reviewed by Glenn Erickson
See full article at Trailers from Hell »

Lots of German Angst on Display in this New Anthology

No, German Angst is not a Uwe Boll biopic, although that would seem pretty damned appropriate. What we have here, kids, is a new anthology film featuring the works of Jorg Buttgereit (Nekromantik, Der Todesking), Andreas Marchall (Tears of Kali, Masks), and Michael Kosakowoski (Zero Killed).

In 1920 Germany became the most influential production location for fantastic films. Friedrich Wilhelm Murnau’s Nosferatu, Robert Wiene’s The Cabinet of Dr. Caligari and The Hands of Orlac, Paul Wegener’s The Golem earned the German cinema the label The Demonic Screen (Lotte H. Eisner). German filmmakers told stories of the underworld beneath urban life, about the invasion of the subconscious. The frontiers between reality and dreams blurred and the fear of dark eros emerged. These masterpieces of German Expressionist cinema are the ancestors of the contemporary fantastic genre. Their influence is still felt in almost every modern film. With the Nazi dictatorship
See full article at Dread Central »

The devil's work

From Nosferatu to Twilight, gothic films have explored what frightens us – and why we are willing victims of our fear. A few days before Halloween, and as the BFI begins a nationwide season, Michael Newton is seduced by horror, sex and satanism

Beyond high castle walls, the wolves howl. The Count intones: "Listen to them! The children of the night! What music they make!" And those words usher you into a faintly ludicrous cosiness, the comfortable darkness of gothic. For gothic properties are altogether snug, as familiar as Halloween costumes – a Boris Karloff mask, the Bela Lugosi cape, an Elsa Lanchester wig. So it is that many of us first come to the form through its parodies; I knew Carry On Screaming! by heart before I saw my first Hammer film. And yet, within the homely restfulness, something genuinely disturbing lurks; an authentic dread. And watching these films again, we
See full article at The Guardian - Film News »

Terror Before The Talkies: Horror Films Of The Silent Era

  • FEARnet
Terror Before The Talkies: Horror Films Of The Silent Era
The hit sound film The Jazz Singer (1927), starring Al Jolson and directed by Alan Crosland, fueled the mainstream appetite for newfangled "talkies"... and brought on the death throes of the ol' fashioned silent film. Over the next few years, silent motion picture production around the world slowed, withered, and died. Before this era came to a close, however, the horror genre took root, clawed its way into mainstream popularity, and spawned a wealth of atmospheric and unsettling thrillers. These films built the foundation upon which a century of horror movies would be constructed. The art of film was still in its infancy, and this silent era of experimentation gave rise to some of the most striking and fascinating horror movies ever made. While Germany would soon rise to dominate horror of the silent era, Italy helped get the ball rolling with their first feature length film, Dante's Inferno (1911), directed by Giuseppe de Liguoro.
See full article at FEARnet »

Clip joint: ghettos

From the narrow streets of medieval Prague to the rubbish dumps of Rio De Janeiro, here are five of the best ghettos featured in films

This week's clip joint is from Claire Adas - check out more of her writing on her blog here. If you have an idea for a future clip joint, email

Every city has its shantytowns, tenements, projects and favelas; ghettoes in which people are thrown together, joined by race, religion or, most frequently, poverty. Theses spaces form a teeming world of their own within the larger macrocosm of the city, connected but self-contained. Life is stacked upon life in a confined area, making the situation rife for story telling; a perfect stage setting of tension and drama.

The term "ghetto" has expanded somewhat from its original use in the 11th century, when it specifically described the part of a city where Jews could live.
See full article at The Guardian - Film News »

Deadpan in Nulltown

  • MUBI
The authors wish to acknowledge with gratitude the venues in which some version of this article previously appeared: Cinema Scope 24 (Fall, 2005), Trafic 62 (Summer, 2006), and the late and twice-lamented The New-York Ghost (Dec. 26, 2006).

In the Place of No Place

Every movie contains its alternates, phantom films conjured variously by excess or dearth: textures and movements that carry on their own play apart from the main line of the narrative, an obtruding performance or scene, an unexplained ellipsis or sudden character reversal, the chunk life of an object seizing the frame in an insert whose plastic beauty transcends its context.

Though the extremes of pure narrative economy (in which each detail exists purely for transmission of plot) or utter dispersal (in which no piece connects to any other) can never exist, we can tentatively use the concepts as limit-cases to differentiate films which make room for their phantoms (or, in the worst case,
See full article at MUBI »

The 300 Greatest Films Ever Made (Part 14)

  • Cinelinx
Our daily countdown continues with part 14 out of 30, in our list of the 300 Greatest Films Ever Made. These are numbers 170-161.


170) Way Out West (1937) James Horne USA


169) Topper (1937) Norman McCleod USA


168) Giant (1958) George Stevens USA


167) The Golem (1920) Paul Waggoner German Silent


166) Little Caesar (1930) Mervyn LeRoy USA


165) The Mummy (1932) Karl Freund USA


164) The Man Who Would Be King (1975) John Houston USA


163) Gigi (1958) Vincent Minnelli USA


162) Goldfinger (1964) Guy Hamilton USA


161) The Caine Mutiny (1954) Edward Dmyrky USA

 Numbers 160-151 coming next.

film cultureClassicslist300
See full article at Cinelinx »

The Forgotten: Unheimlich Maneuvers in the Dark

  • MUBI
Unheimliche Geschichten (Uncanny Tales) is a remake... except it isn't. And it's an anthology film... except it isn't. Richard Oswald, Austrian movie master, made a film of that title in 1919, a horror film which blended stories by Poe, Stevenson and others into a single overarching narrative with Conrad Veidt as central character.

In 1932, four years before the Jewish Oswald was forced to flee the country, he made another Unheimliche Geschichten, a comic compendium that used some of the same source stories, including Poe's The Black Cat and Stevenson's The Suicide Club, but added a new one and used a different overall story to tie it all together. The film was intended as a parody of the whole German expressionist horror school, and if it lacks somewhat in the laughter department, it is nonetheless a fascinating summation of German silent cinema in the early sound era.

Oswald alternated between comedy and sometimes horror-tinged melodrama,
See full article at MUBI »

A Brief History Of Horror – Nosferatu And The 1920s

In the 1920s those seeds planted the decade before took hold, and there are notable examples of early horror on both sides of the Atlantic. The most significant of these, and perhaps the most famous, is F.W. Murnau’s masterpiece, Nosferatu: A Symphony of Horror. It is the first of countless adaptations of Bram Stoker’s Dracula, though famously made without the permission of the Bram Stoker estate. Although included amongst the Expressionist movement, what’s startling today is the movie’s lyrical use of natural light and exterior shots (of running water, animals etc.); visually it is in stark contrast to Caligari’s jagged mindscapes. They both create otherworldliness in different ways, one by giving us distorted images we can relate to, and the other by alienating us with carefully employed images of nature.

The best vampire movies from this to Let the Right One In (2008) take the myth seriously,
See full article at Obsessed with Film »

It Began In Germany: the origins of horror

Horror has had a rough year in 2011, both in cinemas and on our DVD shelves. As late into the year as October (the month in which horror is god) the only effective genre films have been those that merged together horror with comedy (Attack the Block and Tucker & Dale versus Evil for instance). Everything else has been shown on the festival circuit, which means they won’t see the light of public consumption until 2012. Failing that the peak of horror has potentially been saved for the final months of the year. Now instead of picking fault with the poor films that have been released thus far this year, let us travel back to the origins of the genre and to Germany where three select films were made that proved to be intrinsic in the development of the genre. Those three films are Robert Weine’s The Cabinet of Dr Caligari,
See full article at SoundOnSight »

The genres Hollywood left behind

Many genres that Hollywood used to rely on for lots of hits have long since fallen by the wayside. Zoe finds out what happened to them…

Hollywood, the world's entertainment factory, has, for the past one hundred years, been producing films that have been enjoyed by audiences around the world. And in that time, a lot has changed, society, technology, fashions, tastes, and lifestyles, all of which Hollywood has continued to accommodate.

It's come a long way from its humble beginnings in the days of melodramatic, black and white, silent films with somewhat crude production methods. Hollywood has evolved into something more sophisticated and streamlined. But with so much change in such a fast paced industry, have some genres fallen behind? Or is it the case that these too have simply evolved into something more sophisticated and subtle?


The musical is arguably the most uplifting and escapist genre to
See full article at Den of Geek »

Cinema’s 10 most underrated monsters

They’re sometimes furry, sometimes scary, and always angry. Here’s our list of cinema’s 10 most underrated monsters…

King Kong. Godzilla. The terrifying creature out of Alien. They’re all household names. They’re the superstars of the monster world, hogging the limelight while their less charismatic brethren languish in obscurity.

To redress the balance a little, we’ve compiled a list of a few cinematic monsters that deserve more attention. And given that movie monsters are always being shot, stabbed and set on fire by square jawed heroes, it’s fair to say that even the rubberiest, most shambling ones deserve a little bit of love, so if there are any you think we’ve forgotten, feel free to add your own suggestions in the comments.

Q: The Winged Serpent

Larry Cohen’s largely forgotten 1982 creature feature is a genuine trash classic, with some great stop-motion effects and memorable performances from Michael Moriarty,
See full article at Den of Geek »

The origins and evolution of the movie sequel

We delve deep into the mists of time to discover the origins of the sequel, and come up with an unusual prime suspect…

If you want to blame somebody in particular for the rise and lingering popularity of movie sequels, you may want to point an accusatory finger at Johannes Gutenberg. Several hundred years before the first moving image was projected onto a wall somewhere in the late Victorian era, it was with the invention of the printing press by Gutenberg and his contemporaries that the concept of the sequel almost certainly began.

The first book to go into mass publication was the Bible, which was hardly the kind of book you'd dare to attempt to follow up with a sequel (though Jerry Bruckheimer may have tried, had he been a 15th century publisher). It was the modern novel, an invention that properly came into being in the 1700s, that
See full article at Den of Geek »

Netflix Nuggets: Russians Filming G.I. Joe Dolls Fighting Hercules for the Serpent’s Egg

Netflix has revolutionized the home movie experience for fans of film with its instant streaming technology. Netflix Nuggets is my way of spreading the word about independent, classic and foreign films made available by Netflix for instant streaming.

This Week’s New Instant Releases…

Promised Lands (1974)

Streaming Available: 04/19/2011

Cast: Documentary

Director: Susan Sontag

Synopsis: Set in Israel during the final days of the 1973 Yom Kippur War, this powerful documentary — initially barred by Israel authorities — from writer-director Susan Sontag examines divergent perceptions of the enduring Arab-Israeli clash. Weighing in on matters related to socialism, anti-Semitism, nation sovereignty and American materialism are The Last Jew writer Yoram Kaniuk and military physicist Yuval Ne’eman.

Vision: From the Life of Hildegard von Bingen (2009)

Streaming Available: 04/19/2011

Cast: Barbara Sukowa, Heino Ferch, Hannah Herzsprung, Gerald Alexander Held, Lena Stolze, Sunnyi Melles

Synopsis: Directed by longtime star of independent German cinema Margarethe von Trotta, this reverent
See full article at »

Shocking Stuffers!

Shocking Stuffers!
Fellow monster fans, there’s a disturbing fact we must face around the same time each year: Few gift buyers immediately associate the post-Halloween holidays with horror movies! The everyday shopper can therefore be forgiven for not realizing that you’d be especially thrilled to receive one of your favorite chiller classics (past or present) in your stocking, or that mega-size gift set under the tree.

So, in the spirit of the holidays, I’m here to help you out and provide a service to relatives, longtime companions, and any other colleagues, best pals, or associates eager to please their beast fiends. If you don’t already own at least one of the following 10 fright-acular films, you may feel free to forward this post to all those concerned.

I’m going to endeavor to avoid some of most obvious of gift items. We all know that the Alien Quadrilogy has
See full article at Famous Monsters of Filmland »

DVD Review: The Magician (1926)

DVD Review: The Magician (1926)
Francis Ford Coppola wasn’t around to give writer W. Somerset Maugham his father’s famous advice about “stealing” from the best to create your own art, but mystic Aleister Crowley accused the British author of doing just that after he read Maugham’s 1908 novel, The Magician. Maybe it was just sour grapes—seeing as how Maugham’s fantasy-terror tale was said to be inspired in part by Crowley’s life—but in Maugham’s story of a mad medical student who dabbles in the occult secrets of creating life (not to mention unnecessary surgery), Crowley saw elements he felt were directly lifted variously from Rosenroth’s Kabbalah Unveiled, as well as a book about 16th-century physician/alchemist Paracelsus and H.G. Wells’ man-beast classic The Island of Dr. Moreau.

Sounds like that could be a great movie? Not only has the obscure 1926 silent thriller made from Maugham’s book, produced and directed by Rex Ingram,
See full article at Famous Monsters of Filmland »
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