The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts ... See full summary »
For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a ... See full summary »
Elizza La Porta,
During a dinner, given by a wealthy baron and his wive, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a ... See full summary »
A historical view of witchcraft in seven parts and a variety of styles. First, there is a slide-show alternating inter-titles with drawings and paintings to illustrate the behavior of pagan... See full summary »
I caught this restored version of the 1920 German silent classic at Lincoln Center where a new musical score was premiered by the Chamber Music Society. I had never seen the film before and was frankly amazed at the imagery in the sets and costumes and editing of the film. The film's director, Paul Wegener, wearing a thickly padded outfit and wig and high-heeled boots plays the main character, "The Golem". A mythical character from Jewish folklore. For its day, the special effects were also intriguing. I resist describing the movie as anti-semitic but I believe that the portrayal of the jewish ghetto was depicted so dramatically to show that the jews in Prague were outsiders and not welcome in mainstream society. This is evident in the fact that when a nobleman comes to the ghetto, he is greeted by a mammoth closed gate that looks like a precursor to the one used in King-Kong. And most notably, during the creation sequence, a satanic figure appears on screen that would coincide with the European belief a that time that Jews walk hand-in-hand with the Dark forces.
As far as the Golem's performance- this film is really a precursor to "Frankenstein" that Boris Karloff must have seen in its original release - there are so many similarites.
Biggest Image - at the conclusion, the Golem is surrounded by a group of "blond" Aryan-looking children that clearly distinguish them from the ghetto children that we see earlier in the film.
23 of 25 people found this review helpful.
Was this review helpful to you?