A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
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Student Raskolnikow, who has written an article about laws and crime, proposing the thesis, that un-ordinary people can commit crimes if their actions are necessary for the benifit of ... See full summary »
Imagine shooting a feature-length horror movie with the camera built into your mobile phone. Now imagine disabling sound and colour on your phonecam, only being able to shoot a few seconds at a time, each minute costing a small fortune in recording material, imagine that phonecam being large and unwieldy and kind of knackered so that the already low-resolution image is flickery and erratically exposed, and it plays back too fast so that people look like wound-up dolls. It also exposes blueish light more than reddish light, so each shoot is unpredictable, but of course you'll only know that the next day when the film has been processed.
Welcome to movie-making in the year 1920 AD.
Now go shoot a masterpiece that will still be watched, talked about and revered in a hundred years.
I watched this out of historic interest and expected to be colossally bored. But far from it, this is actually a gripping horror flick, and one with a deep side to it to boot. The Golem himself is an immensely scary horror figure en par with Freddy Kruger or the Alien, kind of a proto-Frankenstein's monster -- and he's actually played by director Paul Wegener himself!. I'd like to know how they made his eyes so scary.
Anyway, what can I say, a stupendous film. Watch it from the edge of your seat.
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