The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts ... See full summary »
Extremely rare work of Robert Wiene. From the director and year of excellent "The Cabinet of Dr. Caligari" this work was eventually overshadowed by the success of Caligari. It has a dreamy atmosphere, like another world or something.
Hans Heinrich von Twardowski,
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers,... See full summary »
Lonis sister Ursula was supposed to play the child that destroyed the Golem, but she was too afraid of Paul Wegener in the Golem costume so she was replaced by her older sister Loni for that part. In the final print Ursula was left playing only one of the children. See more »
When the dancers move for the first time at the Kaisers Feast you can see briefly a Hand from behind the camera, in the left Corner, giving some sort of Signal. See more »
I caught this restored version of the 1920 German silent classic at Lincoln Center where a new musical score was premiered by the Chamber Music Society. I had never seen the film before and was frankly amazed at the imagery in the sets and costumes and editing of the film. The film's director, Paul Wegener, wearing a thickly padded outfit and wig and high-heeled boots plays the main character, "The Golem". A mythical character from Jewish folklore. For its day, the special effects were also intriguing. I resist describing the movie as anti-semitic but I believe that the portrayal of the jewish ghetto was depicted so dramatically to show that the jews in Prague were outsiders and not welcome in mainstream society. This is evident in the fact that when a nobleman comes to the ghetto, he is greeted by a mammoth closed gate that looks like a precursor to the one used in King-Kong. And most notably, during the creation sequence, a satanic figure appears on screen that would coincide with the European belief a that time that Jews walk hand-in-hand with the Dark forces.
As far as the Golem's performance- this film is really a precursor to "Frankenstein" that Boris Karloff must have seen in its original release - there are so many similarites.
Biggest Image - at the conclusion, the Golem is surrounded by a group of "blond" Aryan-looking children that clearly distinguish them from the ghetto children that we see earlier in the film.
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