Naive Ezekial Cobb, brought up by his missionary father in China returns to America to seek a wife. Corrupt politicians enlist him to run for mayor as a dummy candidate with no chance of ... See full summary »
After numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (... See full summary »
While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
Ambitious shoe salesman, Harold, unknowingly meets the boss' daughter and tells her he is a leather tycoon. The rest of the film he spends hiding his true circumstances, in the store and ... See full summary »
In a drugstore Al and Roscoe are rivals for Alice. Roscoe slings melons and operates the gas pump. Buster delivers a wedding gown for Alice, begins modeling it, is mistaken for Alice and is kidnapped by Al.
Roscoe 'Fatty' Arbuckle
Roscoe 'Fatty' Arbuckle,
Al St. John
A young man is awakened from a nightmare by the telephone ringing - his girlfriend is calling him, because he is late for an amateur theatrical production. But before he can leave, he gets into an argument with his neighbor. Then, soon after he gets on the road, his car stalls. If he cannot get to the theater quickly, he might be replaced in the play by a rival. Written by
The title, "Get Out and Get Under," comes from a popular 1913 song, "He'd Have To Get Under - Get Out And Get Under (To Fix Up His Automobile)" (Music by Maurice Abrahams; Lyrics by Grant Clarke and Edgar Leslie). Robert Israel's score in the 2004 alternate version frequently uses melodies from this song. See more »
When Harold pulls over to fix his car he takes off his hat and puts it on the car. When the little boy comes over to watch, the hat disappears and then reappears within several shots in the scene. See more »
Fair Harold Lloyd short which presents several gags he would re-use and improve upon in his later feature films. It opens with a scene at a photographer's studio where Harold discovers that his girl Mildred Davis is about to marry another man - but it all turns out to have been just a dream. He's involved in amateur theatricals and, being late for a performance, rushes out to the venue in his beloved car: amid the vehicle's breaking down on him, he falls foul of an elderly neighbor and a colored child; the race-against-time, then, culminates in the usual pursuit by a horde of policemen. The automobile trouble eventually gets a bit repetitive, but the film nevertheless includes the occasional inspired and hilarious gag - such as when Harold 'disappears' inside the car's engine compartment, an actor accidentally falling off the stage (after being 'killed') promptly going back up to resume his performance i.e. affecting a typically melodramatic 'exit' and, especially, when Lloyd sees a junkie getting high in the street and reasons that, if he injects his vehicle with the same substance, it will be likewise revitalized - which is what happens, as the car goes off on its own soon after 'taking' its fix!
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