Leaves Out of the Book of Satan
(1920)
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Leaves Out of the Book of Satan
(1920)
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| Cast overview, first billed only: | |||
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Helge Nissen | ... |
Satan /
The Grand Inquisitor /
Erneste /
Ivan
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Halvard Hoff | ... |
Jesus (first sequence)
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Jacob Texiere | ... |
Judas (first sequence)
(as Jacob Texière)
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Hallander Helleman | ... |
Don Gomez de Castro (second sequence)
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Ebon Strandin | ... |
Isabel - Castro's Daughter (second sequence)
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Johannes Meyer | ... |
Don Fernandez (second sequence)
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Nalle Halden | ... |
The Majordomo (second sequence)
(as Nalle Haldén)
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Tenna Kraft | ... |
Marie Antoinette (third sequence)
(as Tenna Frederiksen Kraft)
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Viggo Wiehe | ... |
Count de Chambord (third sequence)
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Emma Wiehe | ... |
The Countess of Chambord (third sequence)
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Jeanne Tramcourt | ... |
Lady Genevive de Chambord (third sequence)
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Hugo Bruun | ... |
Count Manuel (third sequence)
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Elith Pio | ... |
Joseph (third sequence)
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Emil Helsengreen | ... |
The People's Commissar (third sequence)
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Viggo Lindstrøm | ... |
Old Pitou (third sequence)
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Carl Theodor Dreyer's classic silent film tells the tale of Satan's (Helge Nissen) banishment from heaven... See full synopsis »
God has set a few rules for Satan. He is to provide over historical events, usually playing one of the bad guys. If things go the way we would expect, he must endure more time in the underworld. If he can find a human willing to sacrifice for good, he will get a thousand years to his credit. Unfortunately, with the Crucifixion, the Inquisition, the French Revolution, and the invasion of the Reds into Finland, there's not much for him to pad his bank account. The stories are so bleak and hopeless. Women and children are not spared, and since we pretty much know what is going to happen, little suspense. It's one of the few cinematic treatments of Marie Antoinette where she comes off as upstanding (no cake here). The upside is, naturally, that there is wonderful film-making going on here with great images and depth. One should see as many of these films as possible in order to get a sense of our film heritage. This one may have taught a lot; Dryer taught a lot.