After the old-books shop closes, portraits of the Strumpet, Death, and the Devil come to life and amuse themselves by reading stories--about themselves, of course, in various guises and ...
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The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts ... See full summary »
A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. ... See full summary »
Emma Bell Clifton,
Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can't stop snooping.
Charlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before ... See full summary »
After the old-books shop closes, portraits of the Strumpet, Death, and the Devil come to life and amuse themselves by reading stories--about themselves, of course, in various guises and eras. Four of the stories are literary horror stories (one by Poe, one by R. L. Stevenson), and the last one is a comedy involving a fake haunting. Written by
Any devotee of vintage horror films will want to see Conrad Veidt in an anthology of fantastic tales, but will be disappointed if he expects another "Waxworks" or "Destiny." This looks as if it had been tossed together rather casually, as an actors' lark, and the actors, especially Veidt, mug exuberantly. The five tales, sketchily told, are "The Black Cat," "The Suicide Club," stories of hauntings real and fake, and the old anecdote about the man whose wife disappears from an inn where everyone swears she was never there. These are read by three figures who have stepped out of paintings in an antiquarian bookshop and driven off the (exceedingly odd) owner. The three appear in all the stories, usually with the two men as rivals for the woman. The tone of the framing story and one of the tales from the books is comic, and that of the others deliberately exaggerated. The prevailing weirdness tends to neutralize the scary moments, and so does the Wagnerian music with which the version distributed by LS Video has been unwisely scored. This version doesn't look bad compared to some old films on video (one can clearly make out the actors' faces), but the condition of the print makes it impossible to tell how the film looked originally. It's no classic, but an entertaining view of a young Veidt running the gamut of extreme emoting.
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