Suburban neighbors (Lloyd and Pollard) join together to build a garden shed, but through carelessness, wind up ruining the garden, as well as the laundry, which is drying in the yard. ... See full summary »
A mild-mannered young man has left home, and is now playing the piano in a bar in the west. The dangerous criminal Dagger-Tooth Dan enters the bar where the young man is playing. Soon ... See full summary »
The young couple have decided to marry and it is time to ask the father for the hand of his daughter. Problem is, the father does not want to give the daughter away. So every time he goes ... See full summary »
After numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (... See full summary »
As a group of traveling players are about to arrive at the opera house where they have their next engagement, the manager of the house is in the process of venting his frustrations with his crew. Harold, one of the stage hands, takes a liking to one of the dancers, and he willingly helps her with her baggage - until he realizes that one of her props is a live snake, which causes turmoil when he allows it to get loose. Then, when the show begins, Harold ends up causing further disruptions. Written by
By the early 1920s, Harold Lloyd had become one of the very best and successful screen comics. However, his path to stardom was NOT so simple. In the 1910s, he played a variety of characters who really were really nothing like his sweet bespectacled guy. Even in some of his later films before going on to huge successes when he LOOKED much like the familiar guy he sure didn't act it and the formula still needed a lot of work...such is definitely the case with "Ring Up the Curtain". Sure, this incarnation of Lloyd LOOKS like the great character from such films as "Safety Last" and "The Freshman"....but act like him, not at all. Instead of being a sympathetic character with some depth and likability, this Lloyd is not much different from any other slapstick actor--ready to hit, kick or take pratfalls but nothing more. In fact, the film really has no plot--just Lloyd (and sometimes with Snub Pollard and Bebe Daniels) doing a lot of slapstick stuff with no context, no story...nothing. It's not a terrible film by 1919 standards but also has nothing to recommend it as well...unless you are die- hard fan of Lloyd and insist on seeing all his movies...the good, the bad and the indifferent.
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