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Ring Up the Curtain (1919)

 -  Comedy | Short  -  27 April 1919 (USA)
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Ratings: 5.6/10 from 105 users  
Reviews: 6 user | 1 critic

Stage hand Harold falls in love with the leading lady of a visiting theatrical troupe.


(as Alf Goulding)
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Title: Ring Up the Curtain (1919)

Ring Up the Curtain (1919) on IMDb 5.6/10

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Credited cast:
The Stage Hand
The Leading Lady
The Leading Man
Bud Jamison ...
An Actor
Noah Young ...
An Actor
Rest of cast listed alphabetically:
Edith Depew
Florence Depew
Billy Fay
William Gillespie
Oscar Larson
James Parrott
William Petterson
Emmy Wallace ...
(as Emmylou Wallace)
Dorothea Wolbert


As a group of traveling players are about to arrive at the opera house where they have their next engagement, the manager of the house is in the process of venting his frustrations with his crew. Harold, one of the stage hands, takes a liking to one of the dancers, and he willingly helps her with her baggage - until he realizes that one of her props is a live snake, which causes turmoil when he allows it to get loose. Then, when the show begins, Harold ends up causing further disruptions. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

one reeler


Comedy | Short





Release Date:

27 April 1919 (USA)  »

Also Known As:

Un fameux régisseur  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


| (DVD)

Sound Mix:

Aspect Ratio:

1.33 : 1
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User Reviews

Backstage with Harold & the gang, trying to work up some laughs
13 December 2001 | by (Westchester County, NY) – See all my reviews

For the most part Harold Lloyd's early short films are enjoyable, and a few of them are little gems, but Ring Up the Curtain is not one of the better surviving works. Our setting is a small town theater where Harold is the resident stage hand and jack-of-all-trades, and when a touring troupe of players featuring Bebe Daniels blows into town he is determined to make time with her. That's about it for plot. Normally I enjoy any comedy with a theatrical setting, but this is a perfunctory effort, mildly diverting but disappointing over all; it plays like Harold on Auto-Pilot.

On the plus side, we have the rich backstage atmosphere of a small town vaudeville house. Just seeing the place will interest theater buffs, but better views are offered in a number of better silent comedies, such as Roscoe Arbuckle's two-reeler Back Stage, with Buster Keaton, and Keaton's subsequent solo classic The Playhouse. Here, once you get past the period charm, the gags feel pretty random. For example: when a midget actor enters, he is immediately trampled; then when a hefty man enters, he is immediately punched in the stomach. There's no reason for any of it, we don't know who they are, and we don't see them again. It happens because midgets and fat guys are funny, I guess, and besides, nothing else that occurs in this film is motivated, either. Everyone seems to be straining hard for laughs. Much is made of a snake discovered in one of the dressing rooms-- the actors run around looking terrified (although the snake appears quite sleepy-looking and harmless), because that's what you do when a snake is found in a short like this one. Harold attempts to charm the snake, Hindu-style, but the sequence sputters out without much of a punchline. Snub Pollard has a brief bit on-stage that I found more interesting than the backstage shenanigans, but it's over in a blink. After a while we no longer care about these characters; the comic sequences aren't developed in a way that engages the viewer, and then, to top it all off, the bizarre closing gag is in poor taste.

Harold Lloyd is great in Girl Shy, The Kid Brother, and lots of other films he made once he hit his stride, but Ring Up the Curtain doesn't show him off to best advantage. According to a reference work on Lloyd, this movie marked his 135th starring film for the Rolin Company, as the Hal Roach Studio was known at the time. Perhaps Harold and his crew needed a little vacation.

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