Four bad men have kidnapped Fatty's girlfriend and plan to kill her. Fatty's dog knows where she is, but Fatty doesn't and he was crying. However the dog came back to get Fatty, and they ... See full summary »
Roscoe 'Fatty' Arbuckle
Roscoe 'Fatty' Arbuckle,
In 1830, a train known as the Iron Mule is loaded with passengers, and starts off on its trip. Along the way, the train faces numerous obstacles and delays. The engineer is prepared for ... See full summary »
"Fatty", a poor good hearted farm boy is deeply in love with Winifred, a farmer's daughter. A rich neighbor offers the farmer a large plot of land if Winifred marries his slow witted son Al. "Fatty" has less then one day to save heartbroken Winifred from the rushed ceremony. Written by
Paul E. Gierucki of Laughsmith Entertainment produced the reconstruction of this film in 2004/2005 from the only surviving elements which were foreign release versions provided by The Danish Film Institute and La Cineteca Del Friuli. The final result appears on the DVD collection, "The Forgotten Films of Roscoe "Fatty" Arbuckle" with an original score by Rodney Sauer. See more »
Well, I may be fat but at least I'm pretty!
Yeah. Pretty fat!
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It's very fortunate that this Roscoe Arbuckle feature has been rescued and carefully restored, because it is a very funny and enjoyable feature from one of the finest screen comics of the era. Much of the story consists of familiar material, but it adds some good variety as well, and it has a brisk pace and many good quality slapstick gags. Just seeing Arbuckle, Al St. John, Monte Banks, and Frank Hayes romping around and chasing each other provides numerous laughs and smiles.
The story has a setup that Arbuckle used numerous times, with Roscoe's character in love with a girl whose father (played by Hayes) prefers a rival played by St. John. Banks is added to the mix as a farmhand who joins in the romantic tangle as something of a wild card. At various times the characters whack each other with brooms, fall down wells, get into trouble with ladders, and find themselves in numerous other predicaments.
One thing that really makes this one work is the camaraderie among the characters as they scheme against each other and occasionally shift alliances with one another. The cast works together very well. Also, the timing, aside from a couple of awkward moments in setting up some of the more far-fetched gags, is expert. The combination makes the good comedy ideas very funny, and it makes even the familiar ones amusing.
The notes that come with the Laughsmith/Mackinac Media collection of Arbuckle features give a detailed description of the painstaking and time-consuming process by which this feature was finally re-assembled and restored. All of those involved in the project can take satisfaction in having provided a very welcome surprise for everyone who enjoys silent comedies.
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