The Cabinet of Dr. Caligari
(1920)
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The Cabinet of Dr. Caligari
(1920)
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| Complete credited cast: | |||
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Werner Krauss | ... | |
| Conrad Veidt | ... | ||
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Friedrich Feher | ... |
Francis
(as Friedrich Fehér)
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Lil Dagover | ... | |
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Hans Heinrich von Twardowski | ... |
Alan
(as Hans Heinrich v. Twardowski)
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Rudolf Lettinger | ... | |
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. It is the annual fair in Holstenwall. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep. When Alan asks Cesare about his future, Cesare answers that he will die before dawn. The next morning Alan is found dead. Francis suspects Cesare of being the murderer, and starts spying on him and Dr. Caligari. The following night Cesare is going to stab Jane in her bed, but softens when he sees the beautiful woman, and instead of committing another murder, he abducts her. Jane's father awakens because of the noise, and he and some servants follow the fleeing Cesare. When Cesare cannot outrun his pursuers anymore, he gently places Jane down on the ground, and runs away. Francis and the police investigate the caravan of Dr. Caligari, but the ... Written by Maths Jesperson {maths.jesperson1@comhem.se}
The most important film in horror. Moody and shocking this chiller is the height of German Expressionist cinema and the prototype for whole genres in horror. Using violent contrasts of light and shadow, surreal settings and distorted camera angles to represent madness, chaos and psychosis, its influence is still seen even today in the likes of John Carpenter and the emerging actor and director Stephen Armourae, who has been also influenced by the film in his artwork and as the composer Stephen Armourae-Perry. Its twists towards the end put everyone from Hitchcock to the maker of 'The Village' into pale imitation. This film is now neglected by the public as it is a silent film. It really needs to be seen and appreciated more. Robert Wiene the director clearly inspired by the First World War transferred that shock and terror onto the screen with all its starkness. Hos purpose was to present moral ambiguity of the plot and action as a commentary on the paranoia, imbalance and uncertainty of post was Germany. And another parallel: not only has it influenced Stephen Armourae, he too is a hypnotist and recurring themes in his writings and plays are the moral ambiguities of insanity and culture, and German society of the twentieth century.