Uncle Rollo finally retires to the house he was brought up in. Lost in thoughts of his lost love, Lark, he does not want to be disturbed in his last days. However, the appearance of his ... See full summary »
CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 60's through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.
This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital. Dr. MacLeod (Robert Stack) is a new, optimistic doctor who attempts to ... See full summary »
Congresswoman Agatha Reed returns to her alma mater for homecoming, although she's more interested in renewing her romance with an old flame who's now the college president. Their attempts ... See full summary »
A Boston judge bored with his life leaves his family and heads off for adventure. He gets a job as a short-order cook at a roadside diner and soon finds romance with the pretty owner. He ... See full summary »
A spoiled young rich girl is forced by misfortune to fight for survival in the slums and alleys, where she becomes involved with all manner of unpleasantness. Written by
Jim Beaver <email@example.com>
This was the 2nd film released by Mary Pickford's own production company, and each title card has her initials "MP". Using the producer's initials on title cards as a trademark was also used by DW Griffith. Griffith, Pickford, her husband Douglas Fairbanks, along with Charlie Chaplin went on to form United Artist studios one year after the release of this film in 1920. See more »
words by Sam M. Lewis & Joe Young, music by Harry Ruby, c. 1919
'Dedicated to Mary Pickford in "The Hoodlum" her second picture from her own studios, A First National Attraction' See more »
Mary Pickford's appeal as `America's Sweetheart' is very clear in this film. While many of her fellow actors use an excessively theatrical style, she is totally natural. She inhabits her character completely and, contrary to the stereotype of her films, that character is anything but sweet for most of the movie. In fact, much of the delight of watching her is in enjoying her bad behavior!
Another impressive facet of the film is the authentic-looking slum where Amy Burke (Pickford's character) spends most of her time. Although created at a Hollywood studio, the slum almost smells like old New York.
The film does employ some ethnic stereotypes common at the time but the poor characters are generally treated with affection, while the rich are seen as uncaring and in need of enlightenment. Also, it seems notable that Amy associates with ALL the kids of the slum neighborhood, not just those of her own ethnic group.
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