Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and ... See full summary »
The young couple have decided to marry and it is time to ask the father for the hand of his daughter. Problem is, the father does not want to give the daughter away. So every time he goes ... See full summary »
While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
After numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (... See full summary »
Harold is starving since he has no money to buy food. He may even fight a young starving girl and her starving dog for a morsel. Their unwitting attempts at getting money for food may get them into trouble. But they are helped by a young woman, Mildred. Harold doesn't want to disappoint her, which may be the case when they meet again. But in making things right with her, she may get into a bit a scrap herself with some criminal elements. She is coming into some money fro an inheritance, but she is unaware that the lawyer handling the matter is trying to bilk her out of the money. Harold may yet again unwittingly help her in thwarting the actions of the lawyer while he tries to evade the law himself. Written by
"From Hand to Mouth" marks a transition in Harold Lloyd's career, as he was phasing out the Chaplin imitations of his early days and began developing the bespectacled "glass character" that would bring him stardom. This is also Lloyd's first film with Mildred Davis, who became his long-term leading lady and (offscreen) his life-long wife. Snub Pollard and Noah Young, both of whom did excellent support work in many of Lloyd's best films, have good roles here. The film's climax, featuring a race against time, is a prototype for Lloyd's later "thrill" comedies.
In this movie, Lloyd plays a vaguely Chaplinesque drifter who mooches his way along with a little-girl waif (Peggy Cartwright, not very good). When a dog digs up a bankroll and gives it to the penniless Lloyd, he and Peggy rush off to a general store to buy some groceries. Lloyd hands over some cash, and takes possession of the food just as the grocer discovers that the dollars are counterfeit. This surprises Lloyd so much, he drops the food ... which is now ruined, and he has no money to pay for it.
Just as the grocer is threatening to arrest Lloyd, along comes an expensive car with a beautiful woman in it (Mildred Davis), who pays for the groceries. She's an heiress who (conveniently) is just about to claim her inheritance, but only if she can obtain certain documents (the McGuffin papers?) by midnight tonight. Naturally, a rival heir wants to stop her.
Snub Pollard is the leader of a gang of thugs who kidnap Davis, intending to detain her until the midnight deadline passes. Lloyd trails the goons to their hideout, and then tries to enlist the aid of a policeman. But the cop takes one look at Lloyd (who plays a shabby drifter in this film) and ignores him. Lloyd smacks the cop, who draws his nightstick and gives chase. With the cop in pursuit, Lloyd keeps running until he finds another cop ... then smacks him too, and now he's got two cops chasing him while he looks for a third. Lloyd keeps smacking the constables, until finally he's got a whole platoon of policemen chasing him. (This scene is clearly the prototype for the climax of Lloyd's sound film "Professor Beware".) When Lloyd has enough cops chasing him, he leads them back to Snub's hideout for a slam-bang finish. Will midnight strike before Lloyd can rescue Mildred and help her claim her inheritance?
This is not one of Lloyd's best films, but it's an interesting effort and it shows the gestation of his "glass character". The final scenes in the film are supposed to take place just before midnight, but the footage was clearly shot day-for-night and it isn't very convincing. I'll rate this film 4 out of 10.
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