IMDb > Shoulder Arms (1918)
Shoulder Arms
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Shoulder Arms (1918) More at IMDbPro »

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Shoulder Arms -- Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.

Overview

User Rating:
6.6/10   3,259 votes »
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Up 243% in popularity this week. See why on IMDbPro.
Director:
Writer:
Charles Chaplin (writer)
Contact:
View company contact information for Shoulder Arms on IMDbPro.
Release Date:
20 October 1918 (USA) See more »
Genre:
Plot:
Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines. Full summary » | Add synopsis »
NewsDesk:
(10 articles)
Charlie Chaplin and the Tramp: the birth of a hero
 (From The Guardian - Film News. 27 January 2014, 11:30 AM, PST)

The genres Hollywood left behind
 (From Den of Geek. 4 August 2011, 11:01 AM, PDT)

Keaton and Chaplin
 (From MUBI. 24 May 2011, 9:32 AM, PDT)

User Reviews:
Magnificent See more (28 total) »

Cast

  (in credits order) (verified as complete)

Edna Purviance ... The Girl

Charles Chaplin ... Doughboy

Syd Chaplin ... Charlie's Comrade / The Kaiser (as Sydney Chaplin)
Loyal Underwood ... Short German Officer
Henry Bergman ... Fat Whiskered Soldier / The Kaiser's General / Bartender
Tom Wilson ... Dumb German Wood-Cutter
Albert Austin ... American Soldier / Clean Shaven German Soldier / Bearded German Soldier
Jack Wilson ... Crown Prince
rest of cast listed alphabetically:
W.J. Allen ... Motorcyclist (uncredited)
L.A. Blaisdell ... Motorcyclist (uncredited)
A.D. Blake ... Soldier (uncredited)
Cliff Brouwer ... Soldier (uncredited)
E. Brucker ... Bit Part in Street Scene (uncredited)
F.S. Colby ... Soldier (uncredited)
Slim Cole ... Soldier (uncredited)
Wellington Cross ... Motorcyclist (uncredited)
E.H. Devere ... Bit Part in Street Scene (uncredited)
C.L. Dice ... Motorcyclist (uncredited)
M.J. Donovan ... Soldier (uncredited)
Guy Eakins ... Soldier (uncredited)
Fred Everman ... Bit Part in Street Scene (uncredited)
Mark Faber ... Bit Part in Street Scene (uncredited)
G.A. Godfrey ... Motorcyclist (uncredited)
Harry Goldman ... Bit Part in Street Scene (uncredited)
Fred Graham ... Soldier (uncredited)
W.E. Graham ... Bit Part in Street Scene (uncredited)
James Griffin ... Bit Part in Street Scene (uncredited)
William Hackett ... Bit Part in Street Scene (uncredited)
Ray Hanford ... Soldier (uncredited)
A.J. Hartwell ... Bit Part in Street Scene (uncredited)
O.E. Haskins ... Bit Part in Street Scene (uncredited)
Tom Hawley ... Bit Part in Street Scene (uncredited)
Carl Herlinger ... Bit Part (uncredited)
W. Herron ... Motorcyclist (uncredited)
Ed Hunt ... Soldier (uncredited)
E.B. Johnson ... Soldier (uncredited)
J. Parks Jones ... U.S. Soldier (uncredited)
Charles Knuske ... Bit Part in Street Scene (uncredited)
Sam Lewis ... Bit Part in Street Scene (uncredited)
Tom Madden ... Soldier (uncredited)
G.E. Marygold ... Motorcyclist (uncredited)
Clyde McAtee ... Soldier (uncredited)
Robert McKenzie ... Bit Part in Street Scene (uncredited)
A. North ... Bit Part in Street Scene (uncredited)
Louis Orr ... Soldier (uncredited)
J.T. Powell ... Motorcyclist (uncredited)
John Rand ... U.S. Soldier (uncredited)
Jack Shalford ... Soldier (uncredited)
J.H. Shewry ... Bit Part in Street Scene (uncredited)
Joe Van Meter ... Soldier (uncredited)
W.G. Wagner ... Motorcyclist (uncredited)
Tiny Ward ... Soldier (uncredited)
J.H. Warne ... Motorcyclist (uncredited)
Jack Willis ... Soldier / Bit Part in Street Scene (uncredited)
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Directed by
Charles Chaplin 
 
Writing credits
(in alphabetical order)
Charles Chaplin  writer

Produced by
Charles Chaplin .... producer
 
Original Music by
Charles Chaplin (1957)
 
Cinematography by
Roland Totheroh (uncredited)
 
Film Editing by
Charles Chaplin (uncredited)
 
Production Design by
Charles D. Hall (uncredited)
 
Second Unit Director or Assistant Director
Charles Reisner .... assistant director (uncredited)
 
Camera and Electrical Department
Jack Wilson .... second camera operator (uncredited)
 
Costume and Wardrobe Department
Mother Vinot .... seamstress (uncredited)
 
Transportation Department
Toraichi Kono .... driver: Mr. Chaplin (uncredited)
 
Other crew
Nellie Bly Baker .... secretary: Mr. Chaplin (uncredited)
Elsie Codd .... unit publicist (uncredited)
Tom Harrington .... assistant: Mr. Chaplin (uncredited)
 
Crew believed to be complete


Production CompaniesDistributors
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Additional Details

Also Known As:
Runtime:
45 min (17 fps) | 36 min (TCM print)
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Mono (Westrex Recording System) (1959 re-issue) | Silent
Certification:

Did You Know?

Trivia:
Originally planned at five reels; outtakes were preserved in Chaplin's private collection. True Boardman, Marion Feducha and Frankie Lee played Chaplin's sons in cut domestic scenes intended for the beginning of the film. Peggy Prevost and Nina Trask portrayed draft board clerks, Alfred Reeves a draft board sergeant and Albert Austin a doctor in a cut scene at the draft board office.See more »
Goofs:
Continuity: Charlie, disguised as a tree, enters a pipe to escape a German. When the German tries to pull Charlie out he seperates the lower part of the tree costume along with Charlie's shoes. When Charlie emerges from the other end of the pipe he is still wearing shoes.See more »
Quotes:
Officer:How did you capture thirteen?
Recruit:I surrounded them.
See more »
Movie Connections:
Featured in Filmmakers in Action (2005)See more »

FAQ

This FAQ is empty. Add the first question.
4 out of 6 people found the following review useful.
Magnificent, 4 February 2005
Author: Michael Open from Belfast, NI

This is one of Chaplin's First National films from the period between his glorious Mutual shorts and the more mature United Artists features. More opulent than the Mutual films, it continues Chaplin's quest for perfecting his comic expression. Most people forget that the film is actually a dream that Charlie has while awaiting being sent off to the front.

There is plenty of slapstick via the Limburger cheese being used to gas the enemy, and Chaplin's foray into enemy territory dressed as a tree.

By this stage in this career, the great man had become so immersed in filmic expression that his films give the impression of making themselves. Doubtless this was not the case, but still, it gives as convincingly realistic view of life at the front as I can remember, albeit from an ironically humorous perspective.

As far as I am concerned, familiarity with the entirety of Chaplin's work should be a prerequisite for all cinephiles - do not delay!

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