A feud between the Owens and the Gillettes ends when the last remaining Gillette is killed, but new trouble erupts for the mountain folk with the arrival of a U.S. revenue agent and his ... See full summary »
A feud between the Owens and the Gillettes ends when the last remaining Gillette is killed, but new trouble erupts for the mountain folk with the arrival of a U.S. revenue agent and his assistant. The revenuers search high and low for the secret hideaway where the mountain people prepare illegal alcohol, but end up in deep trouble that only a little movie magic can save them from. Written by
Jim Beaver <firstname.lastname@example.org>
Leading lady Alice Lake suffered an injury on the set of this film, according to an article in the December 1918 issue of Photoplay magazine. She was preparing to mount a horse when the horse stepped on her foot. Fortunately, Alice was standing on a sandy surface at the time and no bones were broken, but her foot was sore for weeks afterward. See more »
Ungrateful daughter! How dare you strike your father!
I love you!
This is crazy! You beat up my daughter and she jumps into your arms!
Look, this is only a two reeler. We don't have time to build up to love scenes.
See more »
Several people have commented that only fragments remain of this film, which seems completely inaccurate to me. The print I've seen many times (it's my 8-year-olds favorite of all of Keaton's films) has a complete story from beginning to end, runs as long as most 2-reelers, and never seems to jump more than a couple of frames. The print is in bad shape *visually*, but it seems pretty much all there to me.
In any event, it's a lovely film for the time, with Arbuckle and Keaton both simply wonderful. The funniest gag (at least to me and my 8-year-old) is the variation on the old clown car gag, where Keaton opens the door to a standard sedan and 49 guys get out (I counted)! Keaton's famed athleticism is well evident, but I was surprised at how strong Arbuckle was, as well. He tosses Alice Lake into the river as though she weighed twenty pounds. Arbuckle's great foil Al St. John (n mean athlete himself) is prominently figured and has a great chase sequence up and down a tree with Keaton while they both (for unknown but surreal reasons) pretend to be monkeys. The acknowledgment throughout the film that they are making a movie is funny and ices the cake of this primitive but very funny film.
1 of 1 people found this review helpful.
Was this review helpful to you?